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Near Columbus, OHAll times are in EDT- Gateway Film Center 1.18 mi 1550 N. High St., Columbus, OH, 43201
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The Good, the Bad and the Ugly is the last film in the Dollars Trilogy, and thus, does not have an official sequel. However, screenwriter Luciano Vincenzoni stated on numerous occasions that he had written a treatment for a sequel, tentatively titled Il buono, il brutto, il cattivo n. 2 (The Good, the Bad and the Ugly 2). According to ...
- $1.2 million
- Ennio Morricone
- 23 December 1966
- Alberto Grimaldi
The Good, the Bad and the Ugly: Directed by Sergio Leone. With Eli Wallach, Clint Eastwood, Lee Van Cleef, Aldo Giuffrè. A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.
- (791K)
- Adventure, Western
- Sergio Leone
- 1967-12-29
Synopsis. In a desolate ghost town during the American Civil War, bandit Tuco Ramirez ("The Ugly," Eli Wallach) narrowly shoots his way past three bounty hunters to freedom, killing two but only badly wounding the third. Miles away, Angel Eyes ("The Bad," Lee Van Cleef) interrogates a former soldier called Stevens (Antonio Casas) about a ...
In the Southwest during the Civil War, a mysterious stranger, Joe (Clint Eastwood), and a Mexican outlaw, Tuco (Eli Wallach), form an uneasy partnership -- Joe turns in the bandit for the reward ...
- (75)
- Sergio Leone
- R
- Clint Eastwood
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The Good, the Bad and the Ugly. Clint Eastwood, looming large in "The Good, the Bad and the Ugly." A vast empty Western landscape. The camera pans across it. Then the shot slides onto a sunburned, desperate face. The long shot has become a closeup without a cut, revealing that the landscape was not empty but occupied by a desperado very close ...
The Good, the Bad and the Ugly is the third and most accomplished of the Dollars trilogy; Sergio Leone created his film on an epic scale, and it stands today as one of the greatest westerns made. The increased budget allowed for scenes of war on a massive scale, and the film serves as a condemnation of the futility of war, summed up by Eastwood ...