Liam Neeson
David Marrow
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English. Budget. $80 million. Box office. $180.2 million. The Haunting is a 1999 American supernatural horror film directed by Jan de Bont, and starring Liam Neeson, Catherine Zeta-Jones, Owen Wilson, and Lili Taylor, with Marian Seldes, Bruce Dern, Todd Field, and Virginia Madsen appearing in supporting roles.
- $80 million
- Jerry Goldsmith
- July 23, 1999
- Donna Roth, Colin Wilson, Susan Arnold
Jul 23, 1999 · The Haunting: Directed by Jan de Bont. With Liam Neeson, Catherine Zeta-Jones, Owen Wilson, Lili Taylor. Dr Marrow enlists Theo, Luke and Nell for a study of sleep disorders at the Hill House. As soon as the terrifying truth about the mansion is revealed, everyone is found fighting for their lives.
- (79K)
- Fantasy, Horror, Mystery
- Jan de Bont
- 1999-07-23
With Julie Harris, Claire Bloom, Richard Johnson, Russ Tamblyn. Hill House has stood for about 90 years and appears haunted: its inhabitants have always met strange, tragic ends. Now Dr. John Markway has assembled a team of people who he thinks will prove whether or not the house is haunted.
- (41K)
- Horror
- Robert Wise
- 1963-08-22
Synopsis (1) A study in fear escalates into a heart-stopping nightmare for a professor and three subjects trapped in a mysterious mansion. A remake of the classic 1963 movie "The Haunting" about a team of paranormal experts who look into strange occurrences in an ill-fated house.
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The Haunting is a 1963 British horror film directed and produced by Robert Wise, adapted by Nelson Gidding from Shirley Jackson's 1959 novel The Haunting of Hill House. It stars Julie Harris, Claire Bloom, Richard Johnson, and Russ Tamblyn.
- $1.02 million
- Robert Wise
- $1.05 million
- Humphrey Searle
This horror tale focuses on visitors to the secluded mansion of Hill House who have been called to the isolated location by Dr. David Marrow (Liam Neeson) as part of a study on insomnia.
Jul 1, 1999 · The movie often edges so close to being truly scary that you wonder why they didn't try just a little harder to write more dimensional characters and add the edge of almost plausible realism that distinguished Shirley Jackson's original novel. The movie does not, alas, succeed as a horror film.
