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The Horns of Elfland is a 1997 fantasy anthology edited by Ellen Kushner, Delia Sherman and Donald G. Keller. Background. The Horns of Elfland was first published in April 1997 by Roc Books in paperback format. It was a nominee in the 1998 Locus Awards for best anthology, finishing eighth out of 17.
- 347 pp (first edition)
- Roc Books
- April 1997
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The Princess: The Splendour Falls on Castle Walls. By Alfred, Lord Tennyson. The splendour falls on castle walls. And snowy summits old in story: The long light shakes across the lakes, And the wild cataract leaps in glory. Blow, bugle, blow, set the wild echoes flying, Blow, bugle; answer, echoes, dying, dying, dying.
- Summary of The Splendour Falls
- Structure of The Splendour Falls
- Literary Devices in The Splendour Falls
- Analysis of The Splendour Falls
In the first lines of this poem, the speaker describes the setting, the way the light moves off the landscape. He then brings in the first iteration of the bugle horn. It blows and echoes wildly around the valley. This is something that occurs at the end of the following two stanzas as well. The speaker talks directly to the bugle asking it to cont...
‘The Splendour Falls’ by Alfred Lord Tennyson is a three-stanza excerpt from the longer narrative poem, ‘The Princess’. This expert is song-like, as is much of the poem. It is sometimes known as the “Bugle Song” because of this feature and repetitionof the blowing bugles in each stanza. The lines of this excerpt follow a consistent rhyme scheme of ...
Tennyson makes use of several literary devices in ‘The Splendour Falls’. These include apostrophes, alliteration, and enjambment. The first of these, apostrophe,is an arrangement of words addressing someone, something, or a creature, that does not exist, or is not present, in the poem’s immediate setting. The exclamation, “Oh,” is often used at the...
Stanza One
In the first lines of ‘The Splendour Falls,’ the speaker begins by making use of the line that this poem later came to be known by. It describes the “splendour” of the scene. This is likely a reference to the sunlight and how it is cast down along the “castle walls”. All around are “summits” or mountains that are covered in snow. The scene is a beautiful one, suitable for the larger context of the story. The “light” from the first line also touches the lakes. It “shakes,” perhaps due to the m...
Stanza Two
In the second stanza of the poem, the speaker tries to draw the reader’s attention to the notes of the bugle horn. He uses the phrase “O, hark, O hear” to catch the reader’s ear and direct them to the “thin and clear” noise of the bugle. It’s echoing off the mountains in a magical and seemingly mysterious way. This brings to mind “Elfland,” the home of the elves. A place that is of our world but not. It comes up in various different mythologies and is often considered a kind of magical altern...
Stanza Three
In the third stanza of ‘The Splendour Falls,’the speaker addresses a specific person. He tells his “love“ that “they die“ in the distant sky. The sky is “rich“ with beauty and substance. It is not entirely clear who he is speaking to, what is dying, or what he really sees in the sky. It is likely that he still speaking about the echoing of the bugles, but also referring to something more important such as the death and disappearance of people. This could be interpreted through the use of word...
- Female
- October 9, 1995
- Poetry Analyst And Editor
And snowy summits old in story; And the wild cataract leaps in glory. Blow, bugle; answer, echoes, dying, dying, dying. And thinner, clearer, farther going! The horns of Elfland faintly blowing! Blow, bugles; answer, echoes, dying, dying, dying. They faint on hill or field or river; And grow forever and forever.
May 1, 1997 · A dauntless traveler, Ellen Kushner has been a guest of honor at conventions all over the world. She regularly teaches writing at the prestigious Clarion Workshop and the Hollins University Graduate Program in Children’s Literature.
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- Paperback
Mar 23, 2023 · The horns of Elfland faintly blowing! Blow, let us hear the purple glens replying, Blow, bugle; answer, echoes dying, dying, dying. O love they die in yon rich sky, They faint on hill or field, or river: Our echoes roll from soul to soul, And grow forever and forever. Blow, bugle, blow, set the wild echoes flying,
May 1, 1997 · A collection of fifteen stories by highly acclaimed authors--including Michael Kandel, Terri Windling, and Susan Palwick--focuses on the power of music, from the moonlit dances of fairies to a future museum of long-lost sounds. Original. Print length. 352 pages. Language.
- Paperback
