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The Iceman Cometh is a play written by American playwright Eugene O'Neill in 1939. First published in 1946, the play premiered on Broadway at the Martin Beck Theatre on October 9, 1946, directed by Eddie Dowling, where it ran for 136 performances before closing on March 15, 1947. It has subsequently been adapted for the screen multiple times.
- Eugene O'Neill
- October 9, 1946
- 1939
- 1912, Harry Hope's Saloon in New York
Oct 29, 1973 · A film version of Eugene O'Neill's play about a salesman who tries to convince a group of barflies to give up their pipe dreams. Starring Lee Marvin, Fredric March, Robert Ryan and Jeff Bridges, directed by John Frankenheimer.
- (1.8K)
- Drama
- John Frankenheimer
- 1973-10-29
The Iceman Cometh is a 1973 American drama film directed by John Frankenheimer. The screenplay, written by Thomas Quinn Curtiss, is based on Eugene O'Neill's 1946 play of the same name. The film was produced by Ely Landau for the American Film Theatre, which from 1973 to 1975 presented thirteen film adaptations of noted plays.
- $800,000
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The Iceman Cometh, tragedy in four acts by Eugene O’Neill, written in 1939 and produced and published in 1946 and considered by many to be his finest work. The drama exposes the human need for illusion and hope as antidotes to the natural condition of despair. O’Neill mined the tragedies of his own.
- The Editors of Encyclopaedia Britannica
A synopsis of Eugene O'Neill's drama about a group of down-and-out men in a saloon who cling to their pipe dreams of a better future. The play explores themes of hope, despair, and redemption through the characters' interactions with Hickey, a salesman who brings them the truth.
A film adaptation of Eugene O'Neill's play about a group of alcoholics in a Greenwich Village saloon in 1912. A salesman who claims to have given up his pipe dreams tries to convince them to do the same, but his motives are questioned and his sanity is doubted.
A film adaptation of Eugene O'Neill's play about a group of derelicts in a Greenwich Village saloon in 1912. The review praises the performances of Robert Ryan, Lee Marvin and Fredric March, and the direction of John Frankenheimer.
