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  1. The Light Between Oceans

    The Light Between Oceans

    PG-132016 · Romance · 2h 13m

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  1. The Light Between Oceans is a 2016 romantic drama film written and directed by Derek Cianfrance and based on the 2012 novel of the same name by M. L. Stedman. An international co-production between the United Kingdom, the United States, India and Canada, the film stars Michael Fassbender, Alicia Vikander, Rachel Weisz, Bryan Brown, and Jack ...

    • $20 million
  2. Sep 2, 2016 · The Light Between Oceans: Directed by Derek Cianfrance. With Michael Fassbender, Alicia Vikander, Rachel Weisz, Florence Clery. A lighthouse keeper and his wife living off the coast of Western Australia raise a baby they rescue from a drifting rowing boat.

    • Derek Cianfrance
    • 191
    • 2 min
  3. A drama/romance film based on a bestselling novel about a couple who find a baby in a rowboat and face a moral dilemma. See the trailer, cast, ratings, critic and audience reviews, and where to watch online.

    • (236)
    • Derek Cianfrance
    • PG-13
    • Michael Fassbender
    • The Light Between Oceans movie1
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  4. The Light Between Oceans is a 2012 Australian historical fiction novel by M. L. Stedman, her debut novel, published by Random House Australia on 20 March 2012. A film adaptation of the same name starring Alicia Vikander and Michael Fassbender was released on 2 September 2016.

  5. Summaries. A lighthouse keeper and his wife living off the coast of Western Australia raise a baby they rescue from a drifting rowing boat. War-weary Tom takes a job as a lighthouse keeper on an island for the solitude. He meets beautiful young Isabel and they eventually marry.

  6. PG-13. YouTube Movies & TV. 180M subscribers. Subscribed. 2.1K. Lighthouse keeper Tom Sherbourne (Michael Fassbender) and radiant, spirited Isabel (Alicia Vikander) live together in married bliss...

  7. Sep 2, 2016 · A drama adaptation of M.L. Stedman's novel about a World War I veteran and his wife who adopt a baby from a rowboat on a remote island. The film is hampered by tight close-ups, manipulative editing, and a lack of trust in the viewer's emotions.

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