Elliott Gould
Philip Marlowe
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The Long Goodbye is a 1973 American satirical neo-noir film directed by Robert Altman and written by Leigh Brackett, based on Raymond Chandler's 1953 novel. The film stars Elliott Gould as Philip Marlowe and features Sterling Hayden, Nina Van Pallandt, Jim Bouton, Mark Rydell, and an early, uncredited appearance by Arnold Schwarzenegger.
- $1.7 million
- John Williams
- Jerry Bick
Mar 8, 1973 · The Long Goodbye: Directed by Robert Altman. With Elliott Gould, Nina van Pallandt, Sterling Hayden, Mark Rydell. Private investigator Philip Marlowe helps a friend out of a jam, but in doing so gets implicated in his wife's murder.
- Robert Altman
- 214
- 3 min
Apr 23, 2006 · A film noir adaptation of Raymond Chandler's novel, directed by Robert Altman and starring Elliott Gould as Philip Marlowe, a private eye who investigates a murder mystery involving a rich playboy, a writer, and a gangster. The movie explores Marlowe's character, his relationships, and his world with humor, wit, and perversity.
A 1973 crime drama directed by Robert Altman and starring Elliott Gould as Philip Marlowe, a private detective in Los Angeles. The film is based on a Raymond Chandler novel and features a non-linear plot, a jazz score, and a twist ending.
- (686)
- Robert Altman
- R
- Elliott Gould
Summaries. Private investigator Philip Marlowe helps a friend out of a jam, but in doing so gets implicated in his wife's murder. In the middle of the night, private eye Philip Marlowe drives his friend Terry Lennox to the Mexican border.
Watch Now. The Long Goodbye (1973) R 03/08/1973 (US) Crime , Comedy , Mystery , Thriller 1h 52m. User. Score. What's your Vibe ? Play Trailer. Nothing says goodbye like a bullet… Overview. In 1970s Hollywood, Detective Philip Marlowe tries to help a friend who is accused of murdering his wife. Robert Altman. Raymond Chandler. Leigh Brackett.
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A review of Robert Altman's adaptation of Raymond Chandler's novel, starring Elliott Gould as a disorganized and conflicted private eye. The reviewer praises the film's style, performances, and themes, but criticizes its plot and structure.
