James Stewart
Ransom Stoddard
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The Man Who Shot Liberty Valance (/ ˈ v æ l ə n s /) is a 1962 American Western film directed by John Ford and starring John Wayne and James Stewart. The screenplay by James Warner Bellah and Willis Goldbeck was adapted from a 1953 short story written by Dorothy M. Johnson .
- $3.2 million
- Cyril J. Mockridge
- Willis Goldbeck
The Man Who Shot Liberty Valance: Directed by John Ford. With James Stewart, John Wayne, Vera Miles, Lee Marvin. A senator returns to a Western town for the funeral of an old friend and tells the story of his origins.
- (80K)
- Drama, Western
- John Ford
- 1962-04-22
By 1962 when The Man Who Shot Liberty Valence was released, the style might seem a little overblown but stars John Wayne and James Stewart, both in their 50s yet playing younger men, carry it off ...
- (1.2K)
- James Stewart
- John Ford
- Western
Dec 28, 2011 · "The Man Who Shot Liberty Valance," the New Yorker's Richard Brody writes, "is the greatest American political movie." He explains: "The Western is intrinsically the most political movie genre, because, like Plato's 'Republic,' it is concerned with the founding of cities, and because it depicts the various abstract functions of government as ...
Synopsis. The film begins in 1910 when a successful aging U.S. senator Ransom Stoddard (James Stewart) and his wife of twenty-five years Hallie (Vera Miles) return to the small western town Shinbone, where they met, to attend the funeral of Tom Doniphon (John Wayne) a man known in the town as a good man but undistinguished.
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Apr 22, 2022 · “T his is the west sir. When the legend becomes fact, print the legend.” The famous line uttered by a newspaperman in John Ford’s masterpiece The Man Who Shot Liberty Valance symbolizes the ...
Mar 21, 2024 · Costume design (black and white) Lee Pfeiffer. The Man Who Shot Liberty Valance, American western film, released in 1962, that was John Ford’s poetic and sombre look at the end of the Wild West era. Although atypical of his usual works, it is widely considered Ford’s last great movie and among his best westerns. The story opens with the return.
