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    The Other Side of the Wind

    R2018 · Comedy drama · 2h 2m

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  1. The Other Side of the Wind is a 2018 satirical drama film co-written, co-edited, and directed by Orson Welles, and posthumously released in 2018 after 48 years in development. The film stars John Huston , Bob Random , Peter Bogdanovich , Susan Strasberg , and Oja Kodar .

    • $2 million (1970 USD), $6 million completion funds (2018 USD)
    • Michel Legrand
  2. Nov 2, 2018 · The Other Side of the Wind: Directed by Orson Welles. With John Huston, Oja Kodar, Peter Bogdanovich, Susan Strasberg. At a media-swamped party to celebrate his 70th birthday and screen his avant-garde film-in-progress, a legendary but jaded Hollywood director is faced both with voracious fans and unsettling questions about what became of his lead actor.

    • (7.8K)
    • Drama
    • Orson Welles
    • 2018-11-02
  3. Nov 2, 2018 · The performatively-committed "Other Side of the Wind" starred John Huston, who frequently directed Welles as their collaboration came full circle, as a legendary but jaded Hollywood director at a ...

    • (99)
    • Orson Welles
    • R
    • John Huston
  4. Nov 2, 2018 · Advertisement. “The Other Side of the Wind” is a very rich film and a very difficult one. I’ve seen it nearly three times now and what I intuit about the aspects of it that “work,” and those where the seams just show too nakedly shift all the time. Cameron Mitchell ’s fired makeup artist, with his ridiculous straw hat and bathetic ...

  5. Nov 1, 2018 · NYT Critic’s Pick. Directed by Orson Welles. Comedy, Drama. R. 2h 2m. By Manohla Dargis. Nov. 1, 2018. Orson Welles once described his final film this way: “‘The Other Side of the Wind’ is ...

    • Orson Welles
    • Manohla Dargis
    • 122 min
  6. Aug 31, 2018 · The Other Side of the Wind really looks more like an experimental American movie of that time. It resembles The Last Movie by Dennis Hopper (who has a cameo here) or the early, scrappy pictures of ...

  7. Nov 2, 2018 · Austin Chronicle. The first 30 minutes of this film feel like a fever dream, as Hannaford and his entourage trade barbs while the film stock (and subjects) change like a child’s kaleidoscope. It is frenetic and a bit unsettling. But once the party settles in at the director’s estate, it becomes mildly coherent.

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