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The Stepford Wives is a 1972 satirical "feminist horror " [1] novel by Ira Levin. The story concerns Joanna Eberhart, a talented photographer, wife, and young mother who suspects that something in the town of Stepford is changing the wives from free-thinking, intelligent women into compliant wives dedicated solely to homemaking.
- Ira Levin
- 145 (first edition, hardback)
- 1972
- September 1972
Jun 11, 2004 · The Stepford Wives: Directed by Frank Oz. With Nicole Kidman, Matthew Broderick, Bette Midler, Glenn Close. The secret to a Stepford wife lies behind the doors of the Men's Association.
- Frank Oz
- 458
- 3 min
Feb 12, 1975 · A horror mystery sci-fi film based on Ira Levin's novel, about a town where the women are robots controlled by the men. IMDb provides cast and crew, user and critic reviews, trivia, goofs, quotes, and more.
- (19K)
- Horror, Mystery, Sci-Fi
- Bryan Forbes
- 1975-02-12
The Stepford Wives is a 2004 American science fiction black comedy film directed by Frank Oz from a screenplay by Paul Rudnick and starring Nicole Kidman, Matthew Broderick, Bette Midler, Glenn Close, Christopher Walken, and Faith Hill. The second feature-length adaptation of Ira Levin 's 1972 novel of the same name following the 1975 film of ...
- $103.3 million
- June 11, 2004 (United States)
- $90–100 million
- David Arnold
The Stepford Wives is a 1975 American satirical psychological thriller film directed by Bryan Forbes. It was written by William Goldman, who based his screenplay on Ira Levin 's 1972 novel of the same name. The film stars Katharine Ross as a woman who relocates with her husband ( Peter Masterson) and children from New York City to the ...
- $4 million
- Michael Small
- February 12, 1975 (United States)
- Edgar J. Scherick
After enduring setbacks in her television career, executive Joanna Eberhart (Nicole Kidman) relocates with her family from New York City to the Connecticut suburb of Stepford. While Joanna's ...
- (176)
- Comedy
- PG-13
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Sep 1, 1972 · Ira Levin’s 1972 novel The Stepford Wives is a darkly comedic and satirical modern horror story with cautionary but subtle overtones. Originally and commonly misunderstood to remark upon the growing feminist movement in the late sixties it is instead a scathing indictment on conservative attacks on women’s liberation.