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A Streetcar Named Desire: Directed by Elia Kazan. With Vivien Leigh, Marlon Brando, Kim Hunter, Karl Malden. Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law while her reality crumbles around her.
- (112K)
- Drama
- Elia Kazan
- 1951-09-19
A Streetcar Named Desire is a 1951 American Southern Gothic drama film adapted from Tennessee Williams 's Pulitzer Prize -winning play of the same name. It is directed by Elia Kazan, and stars Vivien Leigh, Marlon Brando, Kim Hunter, and Karl Malden. The film tells the story of a Mississippi Southern belle, Blanche DuBois, who, after ...
- September 19, 1951 (New York)
- Charles K. Feldman
A Streetcar Named Desire is a play written by Tennessee Williams and first performed on Broadway on December 3, 1947. The play dramatizes the experiences of Blanche DuBois, a former Southern belle who, after encountering a series of personal losses, leaves her once-prosperous situation to move into a shabby apartment in New Orleans rented by her younger sister Stella and brother-in-law Stanley.
- Tennessee Williams
- December 3, 1947
- 1947
- Tennessee Williams
Key Facts about A Streetcar Named Desire. Full Title: A Streetcar Named Desire. When Written: 1946-7. Where Written: New York, Los Angeles, and New Orleans. When Published: Broadway premiere December 3, 1947. Literary Period: Dramatic naturalism. Genre: Psychological drama.
A Streetcar Named Desire Summary. The play is set in the shabby but rakishly charming New Orleans of the 1940s. Stanley and Stella Kowalski live in the downstairs flat of a faded corner building. Williams uses a flexible set so that the audience simultaneously sees the interior and the exterior of the apartment.
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Dependence on Men. A Streetcar Named Desire presents a sharp critique of the way the institutions and attitudes of postwar America placed restrictions on women’s lives. Williams uses Blanche’s and Stella’s dependence on men to expose and critique the treatment of women during the transition from the old to the new South.
Many critics believe that Williams invented the idea of desire for the 20th century. The power of sexual desire is the engine propelling A Streetcar Named Desire: all of the characters are driven by “that rattle-trap street-car” in various ways. Much of Blanche’s conception of how she operates in the world relies on her perception of ...
