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  1. 0–9. 10,000 BC (film) 2012 (film) After the Truth. All Things to All Men (film) Anonymous (film) Giant (2009 film) Independence Day: Resurgence. Marlene (2000 film) Midway (2019 film) Moonfall (film) V. The Venice Project. White House Down. Categories: Films scored by American composers. Films scored by Austrian composers. Film scores by composer.

  2. Thomas Wander (born 19 April 1973 in Graz) also credited as Thomas Wanker, is an Austrian-born composer for film and television. While his original plans were to play piano in a jazz band, as a teenager he took notice of the emotional response he had to the scores for E.T. the Extraterrestrial and Once Upon a Time in America and grew an ...

  3. Thomas Wander is an award-winning film composer based in Vienna. Recent feature film credits include 'Midway', 'Indepedence Day: Resurgence', and '2012'.

  4. Thomas Wander (born 19 April 1973 in Graz) also credited as Thomas Wanker, [1] [2] is an Austrian-born composer for film and television. [ citation needed ] While his original plans were to play piano in a jazz band, as a teenager he took notice of the emotional response he had to the scores for E.T. the Extraterrestrial and Once Upon a Time in ...

  5. Thomas Wander, also credited as Thomas Wanker, is an Austrian-born composer for film and television. He was born on 19 April 1973 in Graz in Austria. In 1992, he moved to Los Angeles to study film composition at the University of Southern California. He has won the BMI Film Music Award in 2008...

  6. music.youtube.com › channel › UCh0m6Rbw95nJwKABvW_utBQThomas Wander - YouTube Music

    Thomas Wander also credited as Thomas Wanker, is an Austrian-born composer for film and television. While his original plans were to play piano in a jazz band, as a teenager he took notice of the emotional response he had to the scores for E.T. the Extraterrestrial and Once Upon a Time in America and grew an interest in film music. In 1992, he moved to Los Angeles to study film composition at ...

  7. Thomas Wander movie reviews & film summaries | Roger Ebert