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  1. Three Colours: Blue ( French: Trois couleurs: Bleu, Polish: Trzy kolory: Niebieski) is a 1993 psychological drama film directed and co-written by Polish filmmaker Krzysztof Kieślowski. It is the first of three films that make up the Three Colours trilogy, themed on the French Revolutionary ideals of liberty, equality and fraternity, followed ...

    • $1.3 million, (United States)
    • Marin Karmitz
  2. Sep 8, 1993 · Three Colors: Blue: Directed by Krzysztof Kieslowski. With Juliette Binoche, Benoît Régent, Florence Pernel, Charlotte Véry. A woman struggles to find a way to live her life after the death of her husband and child.

    • Krzysztof Kieslowski
    • 2 min
  3. Mar 30, 2023 · Three Colours: Blue is released on 31 March in cinemas. This article was amended on 31 March 2023. The child killed in the car crash with the composer is a daughter not a son.

  4. Rated: 3/5 • Feb 29, 2024. Oct 28, 2023. May 11, 2023. Julie (Juliette Binoche) is haunted by her grief after living through a tragic auto wreck that claimed the life of her composer husband and ...

    • (56)
    • Krzysztof Kieslowski
    • R
    • Juliette Binoche
  5. The Three Colours trilogy ( French: Trois couleurs, Polish: Trzy kolory) is the collective title of three psychological drama films directed by Krzysztof Kieślowski: Three Colours: Blue (1993), Three Colours: White (1994), and Three Colours: Red (1994), represented by the Flag of France. The trilogy is an international co-production between ...

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  7. Three Colors: Blue. In the devastating first film of Krzysztof Kieślowski’s Three Colors trilogy, Juliette Binoche gives a tour de force performance as Julie, a woman reeling from the tragic death of her husband and young daughter. But Blue is more than just a blistering study of grief; it’s also a tale of liberation, as Julie attempts to ...

  8. Mar 9, 2003 · Advertisement. In the trilogy, "Blue" is the anti-tragedy, "White" is the anti-comedy, and "Red" is the anti-romance. All three films hook us with immediate narrative interest. They are metaphysical through example, not theory: Kieslowski tells the parable but doesn't preach the lesson. It's the same with his "Decalogue," where each film is ...

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