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Tiziano Vecelli or Vecellio ( pronounced [titˈtsjaːno veˈtʃɛlljo]; c. 1488/90 [1] – 27 August 1576), [2] Latinized as Titianus, hence known in English as Titian ( / ˈtɪʃən / TISH-ən ), was an Italian [a] ( Venetian) Renaissance painter of Lombard origin, [4] considered the most important member of the 16th-century Venetian school.
Apr 23, 2024 · Titian, the greatest Italian Renaissance painter of the Venetian school. He was recognized early in his own lifetime as a supremely talented painter, and his reputation has in the intervening centuries never suffered a decline. A few of his best-known works include Venus of Urbino and Assumption.
Tiziano Vecellio (ca. 1485/90?–1576), known as Titian, was the greatest Venetian artist of the sixteenth century, eventually gaining international fame. Titian is known above all for his remarkable use of color; his painterly approach was highly influential well into the seventeenth century.
Titian was the greatest painter of 16th-century Venice, and the first painter to have a mainly international clientele. During his long career, he experimented with many different styles of painting which embody the development of art during his epoch.
Sep 14, 2020 · Titian (c. 1487-1576 CE), real name Tiziano Vecelli (or Vecellio), was an Italian Renaissance painter who during his lifetime was considered the finest of the Venice school of artists. In a long career working for dukes, kings, and popes, Titian produced a large number of paintings, mostly with a religious theme, a mythological theme or portraits.
The handsome armour, with its gleaming highlights and reflected colour, the rose sash across the chest (a symbol of the Catholic party and the Holy Roman Empire), and the superb sunset landscape all contribute to make it one of the masterpieces of all time. Titian: detail of Philip II.
Religious paintings. Assumption of the Virgin, by Titian, 1516–18; in Santa Maria dei Frari, Venice. Among the religious paintings Titian produced between 1516 and 1538 is one of his most revolutionary masterpieces, the Assumption (1516–18).
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