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  1. Tiziano Vecellio (ca. 1485/90?–1576), known as Titian, was the greatest Venetian artist of the sixteenth century, eventually gaining international fame. Titian is known above all for his remarkable use of color; his painterly approach was highly influential well into the seventeenth century.

  2. Sep 14, 2020 · Titian (c. 1487-1576 CE), real name Tiziano Vecelli (or Vecellio), was an Italian Renaissance painter who during his lifetime was considered the finest of the Venice school of artists. In a long career working for dukes, kings, and popes, Titian produced a large number of paintings, mostly with a religious theme, a mythological theme or portraits.

  3. www.titian.org › biographyTitian Biography

    Titian was a leading artist of the Italian Renaissance who painted works for Pope Paul III, King Philip II of Spain and Holy Roman Emperor Charles V. Synopsis. Born sometime between 1488 and 1490, Titian became an artist's apprentice in Venice as a teenager.

  4. The handsome armour, with its gleaming highlights and reflected colour, the rose sash across the chest (a symbol of the Catholic party and the Holy Roman Empire), and the superb sunset landscape all contribute to make it one of the masterpieces of all time. Titian: detail of Philip II.

  5. Two of the canvases are Worship of Venus and The Andrians. One of the most spectacular is Bacchus and Ariadne. The gaiety of mood, the spirit of pagan abandon, and the exquisite sense of humour in this interpretation of an idyllic world of antiquity make it one of the miracles of Renaissance art.

  6. Date: 1550s. Medium: Oil on canvas. Dimensions: 42 x 52 1/2 in. (106.7 x 133.4 cm) Classification: Paintings. Credit Line: The Jules Bache Collection, 1949. Accession Number: 49.7.16. Learn more about this artwork.

  7. The woman behind the mask. Isabella d’Este was among the most celebrated women of her time. She was a fashion trend setter, a potent political force, and an avid art collector. The daughter of Duke Ercole I d’Este of Ferrara, she was raised at one of the most cultured Italian courts of the fifteenth century.

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