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  1. Thomas Lin Shu-yu (Chinese: 林書宇; born 1976) is a Taiwanese director and screenwriter. After the critical success of his first two features, Winds of September (2008), for which he won Best Original Screenplay at the 45th Golden Horse Awards , and Starry Starry Night (2011), he has been considered a leading filmmaker of his generation.

    • 1976 (46–47)
  2. May 11, 2024 · Meet Director Tom Lin Shu-yu ( #林書宇 ), winner of the 45th Golden Horse Award for Best Original Screenplay. Lin, who returned to Taiwan from the US, clinched the prestigious award with his...

    • 7 min
    • 17
    • TaiwanPlus Arts & Culture
  3. An Exclusive Interview with Tom Lin Shu-yu. TaiwanPlus Docs. 9.77K subscribers. Subscribed. 5. 217 views 10 months ago #documentary #cinematic #director. #documentary #cinematic #cinema...

  4. Nov 19, 2019 · We’re talking about writer-director Tom Lin Shu-yu (林書宇) and his latest film The Garden of Evening Mists. The Garden of Evening Mists is adapted from an English-language novel of the same title by Malaysian novelist Tan Twan Eng. The original novel was shortlisted for the Man Booker Prize.

  5. taiwancinema.bamid.gov.tw › EngStaff › EngStaffTom Lin Shu-Yu Taiwan Cinema

    Aug 9, 2016 · Tom Lin Shu-Yu. 0. Type: Director , Scriptwriter. Profile. Tom Shu-Yu is an outstanding new-generation film director from Taiwan. He graduated from the RTF department of Shih Hsin University, and later received his MFA from California Institute of Arts.

  6. May 1, 2009 · Golden Horse-winning director Tom Lin Shu-yu talks to Asia Pacific Arts about turning high school memories into his acclaimed first feature Winds of September. When Tom Lin Shu-yu made his way to the front of the auditorium after a screening of Winds of September at the 2008 Pusan International Film Festival, the audience had two things in mind ...

  7. Oct 9, 2015 · By Ho Yi / Staff reporter. From The Pain of Others (海巡尖兵, 2005) to Winds Of September (九降風, 2008), Tom Lin Shu-yu (林書宇) excels at drawing inspiration from personal experiences. With Zinnia Flower (百日告別), the director gets especially personal by using his latest film to deal with his grief over the 2012 death of his wife.

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