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Traffic is a 2000 American crime drama film directed by Steven Soderbergh and written by Stephen Gaghan. It explores the illegal drug trade from several perspectives: users, enforcers, politicians, and traffickers .
- $48 million
- Cliff Martinez
- December 27, 2000 (United States)
Jan 5, 2001 · A movie that explores the war on drugs from different perspectives: a judge, a DEA agent, a drug lord, and a cop. Watch the trailer, see the cast and crew, read reviews and trivia, and find out if it won any awards.
- Steven Soderbergh
- 927
- 2 min
Find out who starred in the 2000 crime drama Traffic, directed by Steven Soderbergh and based on a miniseries. See the full list of actors, writers, producers, and other crew members on IMDb.
Traffic is a 2000 film by Steven Soderbergh that explores the world of drug trafficking through three interrelated stories. The movie features a large cast, including Michael Douglas, Benicio del Toro, and Catherine Zeta-Jones, and received critical acclaim and awards.
- (223)
- Steven Soderbergh
- R
- Michael Douglas
Jan 1, 2001 · A film by Steven Soderbergh that traces the drug traffic in North America from the bottom to the top of the supply chain, showing how addiction, crime, corruption and politics are intertwined. The reviewer praises the film's realistic and level-headed approach, its key performance by Michael Douglas as a drug czar, and its message of hopelessness and futility of the war on drugs.
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A film about America's war on drugs, seen through four intertwined stories of a judge, a DEA agent, a drug lord's wife, and a Mexican cop. The plot summary covers the main events and characters of each story, as well as the themes and messages of the film.
Traffic is a 2000 film by Steven Soderbergh that explores the politics, business, and lifestyle of drugs on both sides of the U.S.-Mexico border. The film won four Oscars, including best director, best screenplay, best editing, and best supporting actor for Benicio del Toro, and features an innovative color-coded cinematic treatment and a new essay by film critic Manohla Dargis.