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  1. Vera Miles, born Vera June Ralston, is an American actress who is most famous for starring in several of Alfred Hitchcock’s movies. Her most popular role is her portrayal of Lila Crane in Hitchcock’s classic thriller, ‘Psycho’. Miles began her career as an actress after she was crowned Miss Kansas and subsequently moved to Los Angeles.

  2. Known For. Psycho. The Searchers. The Man Who Shot Liberty Valance. Psycho II. The Wrong Man. The Initiation. 23 Paces to Baker Street. Wichita. Acting. Vera June Miles (born August 23, 1929) is an American actress. Born in Boise City, Oklahoma, Vera Miles attended school in Pratt, Kansas and Wichita, Kansas.

  3. About. Read More. Also Known As. Vera May Ralston. Birth Place. Boise City, Oklahoma, USA. Born. August 23, 1929. Biography. Read More. A warm, reliable and likable lead of features and TV beginning in the 1950s, Vera Miles got a prominent start but rarely seemed to get the roles her talent merited.

  4. www.wikiwand.com › en › Vera_MilesVera Miles - Wikiwand

    Vera June Miles is an American retired actress, best known for roles in the John Ford directed, John Wayne starring Westerns The Searchers (1956) and The Man Who Shot Liberty Valance (1962) as well as for playing Lila Crane in the Alfred Hitchcock film Psycho, later reprising the role in its sequel, Psycho II.

  5. www.rottentomatoes.com › celebrity › vera_milesVera Miles | Rotten Tomatoes

    Vera Miles. Highest Rated: Lowest Rated: Birthday: Aug 23, 1929. Birthplace: Boise City, Oklahoma, USA. A warm, reliable and likable lead of features and TV beginning in the 1950s, Vera...

  6. Vera Miles also appeared in a few of the finest films ever made: The Searchers, Hitchcock’s Psycho (1960) and Ford’s The Man Who Shot Liberty Valance (1962). A few facts we have come across :- She was born on a farm near Boise City, Oklahoma, one of four children of Tom Ralston, a preacher-electrician, and his wife.

  7. …icy blonde in a role Vera Miles had to turn down when she became pregnant. Vertigo is considered Hitchcock’s most personal film, with Scottie’s obsessive remaking of Judy into the character of Madeleine being a metaphor for Hitchcock’s direction of the lead actresses in his films.

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