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  1. Vincenzo Natali

    Vincenzo Natali

    American-born Canadian director and screenwriter

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  1. Detroit, Michigan, U.S. Nationality. Canadian. Occupation (s) Film director, screenwriter. Years active. 1997–present. Vincenzo Natali (born 1969) [1] is a Canadian film director and screenwriter, known for writing and directing science fiction and horror films such as Cube, Cypher, Nothing, and Splice .

    • 1997–present
  2. 15 Photos. Vincenzo Natali was born on 6 January 1969 in Detroit, Michigan, USA. He is a director and producer, known for Cube (1997), In the Tall Grass (2019) and Cypher (2002). More at IMDbPro. Contact info. Agent info. Resume. Born January 6, 1969. Add to list. Awards. 15 wins & 17 nominations. Photos 15. Known for. Cube. 7.1. Director. 1997.

    • Art Department, Director, Producer
    • January 6, 1969
    • 1 min
  3. Apr 24, 2023 · The director of Cube and Splice talks about his influences, his approach to filmmaking and his top Arrow picks. He also discusses the differences between American and Canadian cinema and the themes of madness and destruction in his work.

  4. Aug 29, 2022 · Vincenzo Natali is one of Cronenberg’s most devoted partisan, a true child of the new flesh and burgeoning ‘heroic pervert’ in his own right. Natali also happens to be an immensely talented filmmaker with five feature films behind him and a litany of award-winning television propping up his curriculum vitae.

  5. vincenzo natali. home. tech (2023) the peripheral (2022) graveyard rats (2022) in the tall grass (2019) haunter (2013) splice (2010) nothing (2003) cypher (2002) cube ...

  6. May 22, 2023 · The director of the sci-fi horror classic Cube talks about the Japanese remake, the philosophical themes, and his personal connection to the film. He also reveals how he was inspired by Japanese cinema and culture in creating Cube.

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  8. Mini Bio. Vincenzo Natali was born on January 6, 1969 in Detroit, Michigan, USA. He is a director and producer, known for Cube (1997), In the Tall Grass (2019) and Cypher (2002).

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