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Apr 23, 2024 · These images were not solely visual records of an architectural project. Shulman’s photographic style elevated the structures to a status of global recognition and secured their places in the arena of architectural art history. Julius Shulman, Bailey House, Case Study House No. 21, 1959-1962 Presenting the Optimism of Mid-Century Modernism
Apr 23, 2024 · Julius Shulman is often considered the greatest American architectural photographer of the 20th century. His photography shaped the image of South Californian lifestyle of midcentury America. For 70 years, he created on of the most comprehensive visual archives of modern architecture, especially focusing on the development of the Los Angeles region. The designs of some of the world’s most ...
Apr 23, 2024 · Julius Shulman is widely regarded as the most important architectural photographer in history. Over a seventy year career Shulman not only documented the work of many of the great architects of the 20th century, but he elevated the genre of commercial architectural photography to a fine art form. It is illuminating to recognize the simple fact ...
5 days ago · Winner of several awards including Best Documentary at the Palm Springs International Film Festival and the Grand Jury Prize for Best Documentary at the Lone Star Festival,‘Visual Acoustics – The Modernism of Julius Schulman’ is an elegant, considered and unreservedly lavish expose of the most prolific architectural photographer of our time.
5 hours ago · National Theatre Live: Hamlet Saturday, May 11, 2024 at 7:30 PM EDT. Cinema. Buy. Perfect Days Sunday, May 12, 2024 at 1:30 PM EDT. Cinema. Buy. Sip and Stroll:Tour of the Hippodrome Theatre Sunday, May 12, 2024 at 2:00 PM EDT. Bar.
Apr 23, 2024 · Zimmerman House by Craig Ellwood photographed by Julius Shulman (Getty Research Institute 2004.R.10(Job 1467.)) Jon Burke was best studied under his famed pseudonym Craig Ellwood. The Ellwood name ...
May 2, 2024 · The Dunns wanted a smaller, less formal house with more light and fewer stairs. Smith and Williams took off the second floor and opened up the first level to the site. As a native son of Pasadena, Smith knew Greene and Greene’s buildings well. His 1941-1942 letters to Charles S. Greene convey his admiration for and the influence of their work.
