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  1. Oct 29, 2010 · Welcome to the Rileys is a powerful drama about finding hope in the most unusual of places. Once a happily married and loving couple, Doug and Lois Riley have grown apart since losing their teenage daughter eight years prior. Leaving his agoraphobic wife behind to go on a business trip to New Orleans, Doug meets a 17-year-old runaway and the two form a platonic bond. For Lois and Doug, what ...

  2. Feb 1, 2011 · So ist es bei Rileys, obwohl sie die Menschen so nett, freundlich in ihr Heim einladen. Die Realität ist jedoch anders. Da muß ein Mädchen kommen, dessen Probleme hier und jetzt sind, das ihr Leben nicht an die Reihe kriegt und die Hilfe ablehnt.

  3. Something's wrong at the Rileys. Married nearly 30 years, Doug and Lois rarely talk. She doesn't leave their Indianapolis home, and she's ordered a gravestone with their names and birth years on it.

  4. Nov 23, 2010 · Welcome to the Rileys” takes two old plots and makes a rather touching new plot out of them. What we’ve seen before is (1) the good man who hopes to redeem a prostitute, and (2) the frozen suburban couple who find new hope in their marriage.

  5. Nov 1, 2010 · Screen Rant's Ben Kendrick reviews Welcome to the Rileys. Welcome to the Rileys is director Jake Scott’s second foray into the Hollywood feature market (his first feature was the 1999 British historical comedy, Plunkett & Macleane), and is a respectable sophomore entry, considering the buzz that came out of Sundance. Certainly, the film does ...

  6. Oct 29, 2010 · Purchase Welcome to the Rileys on digital and stream instantly or download offline. A powerful drama about finding hope in the most unusual of places. Once a happily married and loving couple, Doug and Lois Riley (Gandolfini and Leo) have grown apart since losing their teenage daughter eight years prior. Leaving his agoraphobic wife behind to go on a business trip to New Orleans, Doug meets a ...

  7. Oct 28, 2010 · WELCOME TO THE RILEYS. Opens on Friday nationwide. Directed by Jake Scott; written by Ken Hixon; director of photography, Christopher Soos; edited by Nicolas Gaster; music by Marc Streitenfeld ...

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