Rome, Open City
1945
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7 hours ago · CinemAperitivo: Roma città aperta [Rome, Open City] [OmeU] IT, 1945, R: Roberto Rossellini mit Anna Magnani, Aldo Fabrizi, Marcello Pagliero, 100 Min, Im Anschluss Aperitivo und Gespräch ENGL. It is one of the most famous and representative works of Italian neo-realism cinema.
1 day ago · Her role in the Anatole Litvak film marked Bergman's bold return to Hollywood after she spent most of the 1950s away from America following her scandalous marriage to director Roberto Rossellini. Bergman's Cannes arrival was her highly-anticipated re-entry into the world she had exiled herself from for years.
7 hours ago · Este fue el lanzamiento del neorrealismo italiano que continuo con “Roma ciudad abierta” (1946) de Roberto Rossellini y “El ladrón de bicicletas” (1948) de Vittorio De Sica. De ese mismo año es “La terra trema”, el tercer film del nivel director que versa sobre la pobreza; la película fue solventada por el Partido Comunista al ...
7 hours ago · The Castle of St. Nicholas of Thoro-Plano is on one of its hills, a fortress dating back to the 15th century, and receives thousands of visitors every year. It is also known for serving as a backdrop for films by the famous director Roberto Rossellini. Sorrento
7 hours ago · The Australian Union movement is horrified by the escalating violence and death toll of civilians in Gaza. The ACTU reiterates its statements and resolution of 19 October 2023 and 23 February 2024 and continues to call for an urgent and permanent ceasefire and the release of hostages and political prisoners. The Australian Union movement is a ...
7 hours ago · Inizia così Femina, nuovo lavoro dello storico duo della danza contemporanea italiana, Michele Abbondanza e Antonella Bertoni, quest’ultima autrice della coreografia in scena il 15 maggio allo Spazio Rossellini di Roma, per Vertigine, la stagione di Orbita/Spellbound Centro Nazionale di Produzione della Danza a cura di Valentina Marini.
7 hours ago · Kas tässä teille hupsu leffa kaukaa 2000-luvun alkuvuosilta! Apua olen kalan keskeinen premissi oli vähän tyhmä jo silloin ilmestyessäänkin, mutta elokuvaa itseään sekä sen huolella hiottua soundtrackiä myytiin erityisesti pohjoismaissa kuin leipää, ja muistetaan yhä muistajasta riippuen joko kauhulla tai kaihoisalla nostalgialla yhtenä aikansa ”tapauksista”.
