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William James "Willem" Dafoe (/ d ə ˈ f oʊ /; born July 22, 1955) is an American actor. Known for his prolific career portraying diverse roles in both mainstream and arthouse films, he is the recipient of various accolades, including the Volpi Cup for Best Actor as well as nominations for four Academy Awards, a BAFTA Award, and four Golden Globe Awards.
Willem was born in Appleton, Wisconsin, to Muriel Isabel (Sprissler), a nurse, and William Alfred Dafoe, a surgeon. He is of mostly German, Irish, Scottish, and English descent. He and his wife, director Giada Colagrande, have made three films together: Padre, A Woman, and Before It Had A Name. His natural adventurousness is evident in roles as ...
- January 1, 1
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- Appleton, Wisconsin, USA
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Willem Dafoe is an American actor known for his work in To Live and Die in L.A. (1985), Platoon (1986), The Last Temptation of Christ (1988), Flight of the Intruder (1991), Speed 2: Cruise Control (1997), The Boondock Saints (1999), Shadow of the Vampire (2000), Spider-Man (2002), The Life Aquatic with Steve Zissou (2004), Manderlay (2005), Antichrist (2009), The Florida Project (2017), At ...
YearTitleRole1980Willy1981Vance1981White LiesShort film19832nd Phone Booth Youth- 147
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5 days ago · Willem Dafoe (born July 22, 1955, Appleton, Wisconsin, U.S.) is an American actor known for his versatility and willingness to appear in controversial roles. Dafoe, the son of a surgeon and a nurse, was one of seven children. He studied theatre at the University of Wisconsin but left school to join Theater X, an experimental Wisconsin-based ...
- The Editors of Encyclopaedia Britannica
Jan 9, 2024 · Actor Willem Dafoe, who has appeared in almost 150 films throughout his long career, has been honored with a star on the Hollywood Walk of Fame, the first such event this year.
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Jan 17, 2020 · Willem Dafoe in "To Live and Die in L.A." (1986), based on the novel by Gerald Petievich and directed by William Friedkin. Sunset Boulevard/Corbis Historical/Corbis via Getty Images
Dec 19, 2023 · Willem Dafoe knew the script for Yorgos Lanthimos’ “Poor Things” was different the moment he read it. It was teeming with big themes — identity, social convention, hubris and human attachment.