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Acting Technique I (First Year) 1st Year. 6 Hours/Week. The first year utilizes improvisational exercises and written texts to guide the actor to a full realization of self and the building of a truthful acting instrument. The class instills basic principles of good acting, stresses the actor’s connection to their spontaneous impulses and ...
Apr 13, 2023 · The William Esper Studio was founded in 1965 as a school for the performing arts in Manhattan, New York. The school is dedicated to the acting technique of Sanford Meisner. Its founder, William Bill Esper, is occasionally referred to as the best-known of Meisner's first generation teachers.
Once your application has been successfully submitted, you will be contacted to schedule an interview within 72 hours. Please call the studio office at 212.904.1350 if you do not hear within that time period. All interview times are scheduled in EASTERN STANDARD TIME (EST). Please make sure your headshot file is not larger than 2 mb.
The Studio was established in 1965 and today ranks as one of the most respected professional actor training studios in America. Led by legendary acting teacher William Esper, the Studio has trained a large number of accomplished professional actors who are active in Film, Television and Theatre.
An Interview with William Esper. In this in-depth interview, studio founder William Esper talks in detail about how acting is taught at the studio, covering the skills and techniques students will learn in both the first and second years of their training. From the book The New Generation of Acting Teachers (Penguin), by Eva Mekier. Read More
Esper’s first book, The Actor’s Art and Craft, earned praise for describing the basics taught in his famous first-year acting class. The Actor’s Guide to Creating a Character continues the journey. In these pages, co-author Damon DiMarco vividly re-creates Esper’s second-year course, again through the experiences of a fictional class ...
by William Esper. A few months ago a young man in his mid-twenties came to interview with me at my New York studio. He admitted that he knew almost nothing about acting; indeed he had only acted on one occasion and that was in a high school play. He had been modeling and, to his credit, found it empty and boring.
