Search results
Tras La Tormenta ( transl. "After The Storm") It is the fifth and last studio album made between the American singer Willie Colón and the Panamian Songwriter Rubén Blades. It was released on January 31, 1995, through Sony Tropical, Epic Records and Columbia Records. Recorded at Acme Recordings Studios, being the last great collaboration that ...
Crime Pays. (1972) Lo Mato. (1973) Crime Pays is a vintage collection of Willie Colón 's early lounge recordings from the late 1960s and early 1970s mainly with Héctor Lavoe, including Guajirón, El Titán, Que Lío and Eso Se Baila Así. [1]
Pedro Navaja. " Pedro Navaja " (English: Peter Blade) is a salsa song written and performed by Rubén Blades from the 1978 collaboration with Willie Colón, Siembra, about a criminal of the same name. [1] Navaja means "folding knife" in Spanish. Inspired by the song "Mack the Knife", [2] it tells the story of a panderer 's life and presumed death.
Aguanilé. " Aguanilé " (Watered Down) is a song composed by American-Puerto Rican trombonist Willie Colón and Puerto Rican singer Héctor Lavoe and being recorded by themselves as the first single from their seventh studio album El Juicio released in 1972. [1] Its origin comes from the Yoruba culture in Cuba and means "spiritual cleansing ...
El Juicio (The Judgment) is an album by Willie Colón & Héctor Lavoe issued in 1972 by Fania Records. [1] [2] It was the third of Colón and Lavoe's records to go gold, after Cosa Nuestra (1970), La Gran Fuga (1971), and before Lo Mato (1973).
In May 2007, Blades was sued by his former bandmate Willie Colón for breach of contract. This led to a series of suits and countersuits that lasted over five years, resulting in decisions in Blades' favor. In the middle of 2008 he took a leave of absence for a mini-tour in Europe, backed by the Costa Rican band Son de Tikizia.
Canciones del Solar de los Aburridos is the third studio álbum between the duo of Willie Colón and Rubén Blades released on September 20, 1981, by Fania Records.This being the second most successful album of the duo and the one that comes closest to being a post-boogalo album with the sounds of hard salsa characteristic of the Harlow Orchestra.
