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Mar 15, 2024 · Yelena Yemchuk, Odesa, (Gost Books, 2022) In her desire to picture everything, Yemchuk includes a diverse array of images, from the repeated motif of dogs exploring a vacant lot to everyday scenes of still lifes of pickled tomatoes, vases of flowers, pieces of bread, and dandelion seeds.
Mar 8, 2024 · Yelena Yemchuk / Harper's Bazaar. And just like that ... Carol Burnett is the Harper's Bazaar March 2024 digital issue cover star. The iconic comedian was photographed by Yelena Yemchuk wearing several high-fashion looks, styled by Deborah Afshani.
- GMA Team
- 3 min
Mar 7, 2024 · Posted on March 07, 2024. PALM ROYALE star Carol Burnett is HARPER’S BAZAAR’s March 2024 digital cover story photographed by Yelena Yemchuk and styled by Deborah Afshani. On taking the time to enjoy life: “I want to have fun,” she says with a shrug, sitting next to me on a cream couch and looking and sounding well rested, clear voiced ...
Mar 22, 2024 · Photo: Yelena Yemchuk. In the spring 2024 campaign by Cinq à Sept, model Grace Elizabeth epitomizes sunlit elegance, presenting an array of attire that speaks to serene, warm days. Captured by the lens of Yelena Yemchuck, the imagery is infused with the vibrancy of sunny Miami.
Mar 6, 2024 · Featured spreads are from Ukranian American visual artist Yelena Yemchuk's most recent photobook, Malanka, documenting "Old New Year," a heavily incantatory, night-long, pre-christian, folklore ritual that takes place on January 14 every year. It is celebrated by ethnic Romanians in western Ukraine.
Mar 19, 2024 · The runway regular and well-known editorial favorite was photographed by Yelena Yemchuk who spearheaded the project with an all-female team across styling, production, and creative direction. With Natasha Royt on styling duty, a fresh-faced Elizabeth is seen against the serene and lush backdrop of Miami, where she’s based with her young ...
Mar 5, 2024 · This is the sixth photobook by Ukrainian American visual artist Yelena Yemchuk (born 1970). Born in Kyiv but based in the United States, Yemchuk makes images that teeter on the threshold between her Eastern European heritage and her daily life in New York; between fiction and reality; between the grand beauty of 1960s cinema and the social and ...