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  1. Mar 29, 2024 · Roger's Rating - .5/4 Stars. It's pretty easy to pinpoint what Battle: Los Angeles wanted to be, even if it's harder to pinpoint just why it fails in every regard. It wants to be Black Hawk Down ...

  2. 6 days ago · Tim Grierson April 18, 2024. The writer-director’s acclaimed movies focus on nuanced, layered protagonists who don’t succumb to “Strong Female Character” cliches. A big reason his latest, Civil War, doesn’t work as well is it’s the first time he’s viewed one of his heroines so…. May contain spoilers.

  3. Apr 1, 2024 · Roger Ebert | 2007-10-27. Jerry Seinfeld has been known to enjoy the odd bungee jump, but dressing up like a bee and throwing himself off the roof of the Carlton Hotel in Cannes was new for him. This was last May. The studio attached a steel cable to the hotel, 130 feet in the air, and Jerry glided down to the photographers and bee-lovers below ...

  4. Apr 4, 2024 · The First Omen. “The miracle of life can be a messy business,” you hear in “The First Omen,” a stunning prequel to Richard Donner ’s timeless horror classic, “ The Omen ” (1976), about the evildoings of a demonic orphan adopted by a pair of unsuspecting Americans in London. And just like in the recent, Sydney Sweeney-starring ...

  5. Mar 29, 2024 · Asphalt City. You may remember a scene in the cult classic “ Repo Man ” in which, during a high-speed auto repossession, Emilio Estevez exclaims, “This is intense,” and Harry Dean Stanton laconically replies, “Repo man’s always intense.”. Same goes for being a big city paramedic, and you might not even need the movies to tell you ...

  6. Apr 4, 2024 · Monkey Man is in theaters April 5. It is rated R for strong bloody violence throughout, rape, language throughout, sexual content/nudity and drug use with a runtime of 121 minutes. Filed Under: , Monkey Man Review: brutally and gloriously violent, Dev Patel has delivered something high-energy, gritty, and poignant in his directorial debut.

  7. 6 days ago · Dusk for a Hitman. “Dusk for a Hitman” is a husk of a great film. Director Raymond St-Jean has a sturdy central character—though the crime drama is based on the real life of Montreal fixer Donald Lavoie, much of it is fictional—made stronger through a deft ability to conjure a grim atmosphere around an actor capable of landing emotional ...

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