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The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians. The first were Murray Spivack and Jack Solomon for ...
- Mad Max: Fury Road (2016 Oscars) “Mad Max is a film we see with our ears” Above you can hear how sound editors, Mark Mangini and David White added so much richness and texture to the post apocalyptic world of Mad Max: Fury Road, for a well-deserved win.
- Arrival (2017 Oscars) The making of Heptapod communication. Sylvain Bellemare wins the Sound Editing Oscar for much more than alien noises. The sound team hiked up a mountain in New Zealand for three days just to record native New Zealand birds.
- Dunkirk (2018 Oscars) Oscar winning sound. Richard King is no amateur to sound design or being an Academy Award winner. Inception, The Dark Knight, and Master and Commander: The Far Side of the World, all won him an Oscar for Best Sound Editing.
- Inception (2011 Oscars) Oscar winner for Best Sound Editing. Listen to how Richard King and his sound team Lora Hirschberg, Gary Rizzo, and Ed Novick, work with Christopher Nolan to create a layered, dynamic soundscape, nearly as intricate as the story world itself.
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- Actor in A Supporting Role
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- Actress in A Supporting Role
- Art Direction
- Costume Design
Christoph Waltz in Inglourious Basterds Christopher Plummer in The Last Station Matt Damon in Invictus Stanley Tucci in The Lovely Bones Woody Harrelson in The Messenger
Up (Pete Docter and Bob Peterson) The Princess and the Frog (Ron Clements and John Musker) Coraline (Henry Selick) Fantastic Mr Fox (Wes Anderson) The Secret of Kells (Tomm Moore)
Almost There, from The Princess and the Frog, by Randy Newman Down in New Orleans, from The Princess and the Frog, by Randy Newman Loin de Paname, from Paris 36, by Reinhardt Wagner and Frank Thomas Take It All, from Nine, by Maury Yeston The Weary Kind, from Crazy Heart, by Ryan Bingham and T Bone Burnett
The Hurt Locker (Mark Boal) Inglourious Basterds (Quentin Tarantino) A Serious Man (Joel and Ethan Coen) Up (Pete Docter and Bob Petersen) The Messenger (Alessandro Camon and Oren Moverman)
French Roast (Fabrice O Joubert) Granny O'Grimm's Sleeping Beauty (Nicky Phelan and Darragh O'Connell) Logorama (Nicolas Schmerkin) The Lady and the Reaper (Javier Recio Gracia) A Matter of Loaf and Death (Nick Park)
China's Unnatural Disaster: The Tears of Sichuan Province (Jon Alpert and Matthew O'Neill) The Last Campaign of Governor Booth Gardner (Daniel Junge and Henry Ansbacher) The Last Truck: Closing of a GM Plant (Steven Bognar and Julia Reichert) Music by Prudence (Roger Ross Williams and Elinor Burkett) Rabbit à la Berlin (Bartek Konopka and Anna Wydr...
Il Divo (Aldo Signoretti and Vittorio Sodano) The Young Victoria (Jon Henry Gordon and Jenny Shircore) Star Trek (Barney Burman, Mindy Hall and Joel Harlow)
Mo'Nique in Precious Vera Farmiga in Up in the Air Penélope Cruz in Nine Anna Kendrick in Up in the Air Maggie Gyllenhaal in Crazy Heart
Avatar (art direction: Rick Carter and Robert Stromberg; set decoration: Kim Sinclair) The Imaginarium of Doctor Parnassus (art direction: Dave Warren and Anastasia Masaro; set decoration: Caroline Smith) Nine (art direction: John Myhre; set decoration: Gordon Sim) Sherlock Holmes (art direction: Sarah Greenwood; set decoration: Katie Spencer) The ...
Bright Star (Janet Patterson) Coco Before Chanel (Catherine Leterrier) The Imaginarium of Doctor Parnassus (Monique Prudhomme) Nine (Colleen Atwood) The Young Victoria (Sandy Powell)
Best Actor winner for Milk, with past winners Michael Douglas, Adrien Brody, Ben Kingsley, Anthony Hopkins and Robert De Niro. Dustin Lance Black. Original Screenplay winner for Milk. Heath Ledger. The Supporting Actor winner's father Kim Ledger, mother Sally Bell and sister Kate Ledger accept his Oscar for The Dark Knight.
Apr 29, 2020 · April 29, 2020 6:43 pm. Ai-Ling Lee received four Oscar nominations for sound editing and for sound mixing on "First Man" and "La La Land." Making Waves: The Art of Cinematic Sound. Let’s get ...
Adam Hart. Terry Jackson. Mark Rayner. A red car does a 180-degree spin and a 90-degree slide, weaving through traffic. The car then does another 90-degree slide, hitting a car and knocking a bad guy down. A taxi backs up pinning the bad guy between two cars, pushing him backwards. The cab breaks free as it does a reverse 180-degree spin and ...
