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* Sound Effects Editing - Don Sharpe * Visual Effects - Robert Skotak, Stan Winston, John Richardson, Suzanne Benson Actress in a Leading Role - Sigourney Weaver Art Direction - Art Direction: Peter Lamont; Set Decoration: Crispian Sallis Film Editing - Ray Lovejoy
- Best Picture
- Directing
- Actor in A Leading Role
- Actress in A Leading Role
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
Broadcast News – James L. Brooks Fatal Attraction – Stanley R. Jaffe, Sherry Lansing Hope and Glory – John Boorman The Last Emperor – Jeremy Thomas Moonstruck– Patrick Palmer, Norman Jewison
Fatal Attraction – Adrian Lyne Hope and Glory – John Boorman The Last Emperor – Bernardo Bertolucci Moonstruck – Norman Jewison My Life as a Dog– Lasse Hallström
Michael Douglas – Wall Street William Hurt – Broadcast News Marcello Mastroianni – Dark Eyes Jack Nicholson – Ironweed Robin Williams – Good Morning, Vietnam
Cher – Moonstruck Glenn Close – Fatal Attraction Holly Hunter – Broadcast News Sally Kirkland – Anna Meryl Streep – Ironweed
Albert Brooks – Broadcast News Sean Connery – The Untouchables Morgan Freeman – Street Smart Vincent Gardenia – Moonstruck Denzel Washington – Cry Freedom
Norma Aleandro – Gaby – A True Story Anne Archer – Fatal Attraction Olympia Dukakis – Moonstruck Anne Ramsey – Throw Momma from the Train Ann Sothern – The Whales of August
The Dead – Tony Huston Fatal Attraction – James Dearden Full Metal Jacket – Stanley Kubrick, Michael Herr, Gustav Hasford The Last Emperor – Mark Peploe, Bernardo Bertolucci My Life as a Dog– Lasse Hallström, Reidar Jönsson, Brasse Brännström, Per Berglund
“Cry Freedom” – Cry Freedom – Music, Lyric by George Fenton, Jonas Gwangwa “(I’ve Had) The Time Of My Life” – Dirty Dancing – Music by Franke Previte, John DeNicola, Donald Markowitz; Lyric by Franke Previte “Nothing’s Gonna Stop Us Now” – Mannequin – Music, Lyric by Albert Hammond, Diane Warren “Shakedown” – Beverly Hills Cop II – Music by Harold ...
Broadcast News – Richard Marks Empire of the Sun – Michael Kahn Fatal Attraction – Michael Kahn, Peter E. Berger The Last Emperor – Gabriella Cristiani RoboCop– Frank J. Urioste
Broadcast News – Michael Ballhaus Empire of the Sun – Allen Daviau Hope and Glory – Philippe Rousselot The Last Emperor – Vittorio Storaro Matewan– Haskell Wexler
- Mad Max: Fury Road (2016 Oscars) “Mad Max is a film we see with our ears” Above you can hear how sound editors, Mark Mangini and David White added so much richness and texture to the post apocalyptic world of Mad Max: Fury Road, for a well-deserved win.
- Arrival (2017 Oscars) The making of Heptapod communication. Sylvain Bellemare wins the Sound Editing Oscar for much more than alien noises. The sound team hiked up a mountain in New Zealand for three days just to record native New Zealand birds.
- Dunkirk (2018 Oscars) Oscar winning sound. Richard King is no amateur to sound design or being an Academy Award winner. Inception, The Dark Knight, and Master and Commander: The Far Side of the World, all won him an Oscar for Best Sound Editing.
- Inception (2011 Oscars) Oscar winner for Best Sound Editing. Listen to how Richard King and his sound team Lora Hirschberg, Gary Rizzo, and Ed Novick, work with Christopher Nolan to create a layered, dynamic soundscape, nearly as intricate as the story world itself.
People also ask
What is the Academy Award for Best Sound Editing?
Why did Sylvain Bellemare win the Sound Editing Oscar?
Who is the Best Sound Editor in Dolby Cinema?
When did sound effects get a 'preferential ballot'?
In December 1987, Eli Lilly & Co. received approval from the FDA to market Prozac as a treatment for depression. Special Achievement Award. To Stephen Flick and John Pospisil for Sound Effects Editing, RoboCop. Irving G. Thalberg Memorial Award. To Billy Wilder.
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians.
52nd Academy Awards, 1979 Special Achievement Award to The Black Stallian — Alan Splet. 1980s. 1980: No Award given; 1981 - 1989: The category was called Best Sound Effects Editing; 1990s. 1990 - 1999: The category was called Best Sound Effects Editing; 2000s. 73rd Academy Awards (2000) Winner U-571 — Jon Johnson Nominees
