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  1. James McAvoy and Jessica Biel presenting Michael Minkler, Bob Beemer and Willie Burton the Oscar® for Sound Mixing for "Dreamgirls" at the 79th Academy Award...

    • 23.4K
    • Oscars
  2. Mar 11, 2020 · Oscar Isaac and Salma Hayek present Mark Taylor and Stuart Wilson with the Oscar for Best Sound Mixing for his work on “1917” at the 92nd Oscars in 2020.#Osc...

    • Mar 11, 2020
    • 67.3K
    • Oscars
  3. Mar 9, 2015 · Sienna Miller and Chris Evans presenting Craig Mann, Ben Wilkins and Thomas Curley with the Oscar® for Sound Mixing for "Whiplash" at the 87th Oscars® in 2015.

    • Mar 9, 2015
    • 103.4K
    • Oscars
    • Mad Max: Fury Road (2015) How many different sounds can you identify in this scene? A more than deserved win for Gregg Rudloff, Chris Jenkins, and Ben Osmo.
    • Dunkirk (2017) Dunkirk - Sound Mixing. Because war movies usually demand multiple sounds firing at the same time, the quality of the mixing is generally more noticed.
    • Inception (2010) Inception - Oscar winner for Best Sound Mixing. The layered sounds of Inception are almost as complicated as the layered dream world in the film.
    • The Matrix (1999) The Matrix - Bullet Dodge Sound Mixing. Sound team, John T. Reitz, Gregg Rudloff, David E. Campbell, and David Lee were the brains behind some of the best “bullet sounds” to ever hit Hollywood.
  4. Memorable Moments. Oscar® nominee, Mahershala Ali, and Amatus Sami-Karim during the live telecast of The 91st Oscars® at the Dolby® Theatre in Hollywood, CA on Sunday, February 24, 2019. Jordan Peele, Winston Duke, and Lupita Nyong'o pose during the live ABC Telecast of The 91st Oscars® at the Dolby® Theatre in Hollywood, CA on Sunday ...

  5. Feb 26, 2019 · Here's who took home a statue at the 91st Annual Academy Awards. ... the award for Best Sound Mixing during the 91st Annual Academy Awards at the Dolby Theatre in Hollywood on Feb. 24, 2019 ...

  6. The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians. The first were Murray Spivack and Jack Solomon for ...

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