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  1. Aida - Opera Grand Rapids › aida

    Aida, princess of Ethiopia, is the captive slave of the Egyptian princess Amneris. Both are in love with Radamès, who commands the Egyptian army against the invading Ethiopians. The love triangle turns to ruin when Aida’s father, Amonasro, appeals to his daughter’s love of country to betray Radamès. Read the full synopsis.

  2. Opéra de Montréal | The Canadian Encyclopedia › en › article
    • Opéra de Montréal
    • Later Developments
    • Repertoire
    • Performers

    Historical Account At the invitation of bass Joseph Rouleau and baritone Robert Savoie, a group of artists formed the Mouvement d'action pour l'art lyrique du Québec (MAALQ) and began acting as a pressure group. The Quebec Minister of Cultural Affairs, Denis Vaugeois, announced 5 Feb 1980 the establishment of a new company, the Opéra de Montréal, with Jean-Paul Jeannotteas artistic director and Jean-Claude Delorme as president of the board. The program for the 1980-81 season was three productions (seven performances each) at Salle Wilfrid-Pelletier in Place des Arts: Tosca, Cosi fan tutte and La Traviata. For 1981-2 the number rose to four: Madama Butterfly, L'Elisir d'amore, Werther, and Il Trovatore. The company had a provincial grant of $638,000. As part of the new company's mandate, young singers from Quebec would be favoured, as well as Quebec conductors, stage directors and set designers. The Opéra made a point of hiring singers in training to perform supporting roles.

    In 1983, the Opéra de Montréal appointed Jacques Langevin, director of the MACQ's music department, to the new post of director general. Langevin resigned in Nov 1986 and was replaced by Bernard Creighton. The number of productions rose from four to five for 1986-7 but returned to four in 1987-8 and 1988-9, with six performances each. The financial situation of the company deteriorated, because of inflation and an accumulated deficit exceeding $1 million by 1988. That year, the board appointed Bernard Uzan, a Franco-Tunisian stage director, as director general and one month later artistic director as well. Under his exacting leadership the company recovered: by the end of 1989 the deficit had been cut in half and expenses curtailed significantly. Uzan also introduced surtitles in an effort to attract a larger public. For the 1991-2 season Uzan added a fifth yearly production, an operetta. By 1993-4 he was mounting an ambitious seven productions annually, many of them co-productions....

    From the 1980-1 opening season, the Opéra de Montréal presented over 800 performances of over 80 operas. Performances are given in either Salle Wilfrid Pelletier at Montreal's Place des Arts, or Salle Pierre Mercure at Centre Pierre-Peladeau. Preference is given to the most popular operas of the repertoire, especially long-standing repertoire staples in Italian and, to a lesser degree, French, with such favourites as Tosca, Madama Butterfly, La Bohème, The Barber of Seville, Fidelio, Rigoletto, and Roméo et Juliettehaving been staged more than once. Seasons have been programmed in keeping with the company's philosophy, especially under Uzan, to stage new works only if there is a market for them. The company's only Canadian production was the commission and premiere (March 1990) of Nelligan (libretto by Michel Tremblay and music by André Gagnon). Nelligan was performed 16 times in Montreal, five times in Quebec City, and twice in Ottawa. The cancellation of a planned 1995 Canadian op...

    The Opéra de Montréal set as a priority the hiring of singers from Quebec, whether they be international stars or at the start of their career. Among Quebec singers who have sung major or minor roles are sopranos Colette Boky, Michèle Boucher, Clarice Carson, Gail Desmarais, Yolande Dulude, Céline Dussault, Hélène Fortin, Lyne Fortin, Christiane Guénette, Chantal Lambert, Nicole Lorange, Marie-Danielle Parent, and Adrienne Savoie; mezzo-sopranos or contraltos Christine Lemelin, Thérèse Sevadjian, Odette Beaupré, Gabrielle Lavigne; tenors Benoît Boutet, Yves Cantin, André Lortie, Claude-Robin Pelletier, and André Turp; baritones Jean-Clément Bergeron, Desmond Byrne, Gaétan Laperrière, Bruno Laplante, Grégoire Legendre, Claude Létourneau, Erik Oland, Louis Quilico; basses Gregory Atkinson, Pierre Charbonneau, Claude Corbeil, Roland Gosselin, Jean-Pierre Hurteau, and Joseph Rouleau. Other Canadians who have sung with Opéra de Montréal include Theodore Baerg, Russell Braun, Benjamin But...

  3. New opera boss sings Montreal's praises: 'This city is ... › entertainment › music

    Sep 15, 2016 · Aida is performed on Sept. 17, 20, 22 and 24 in Salle Wilfrid Pelletier of Place des Arts. Starting time is 7:30 p.m. Tickets range from $57 to $153. Go to .

  4. - Joseph Newsome, Voix des Arts �Lili Chookasian was a principal singer with the Metropolitan Opera for a quarter-century, appearing there 290 times from 1962 to 1986. She also sang in recital and was a soloist with many of the world�s leading orchestras. Critics and operagoers hailed Ms. Chookasian as a �real contralto�.

  5. Classic Music - ISCART › internation_competition_classic_music

    In July 2006, Olga Romanko sang Aida in the Terme di Caracalla of the teatro dell'Opera di Roma ".In November 2006, Olga Romanko sang for the new production of Simon Bocca- negra in the Croatian National Opera for 6 performances and in March/April 2007, the soprano sang Tosca in Hamburg's Staatsoper, Pique Dame in the Finnish National Opera and ...

  6. IN MEMORIAM: Carlo Bergonzi, 1924 - Voix des Arts › 2014 › 07

    Jul 26, 2014 · When Carlo Bergonzi débuted at the Metropolitan Opera as Radamès in Verdi’s Aida on 13 November 1956, it was apparent to both the audience and the press that a singer of extraordinary artistic stature had arrived in New York. Even at the age of thirty-two, he possessed both an appealing voice and the technique needed to guide it through a ...

  7. Sherif Sonbol - Wikipedia › wiki › Sherif_Sonbol

    Opera 1988–1993, (Cairo Opera House 1993) Aida, (Cairo Opera House 1999) Pharaohs of the Sun: Akhenaten : Nefertiti : Tutankhamen, (Bullfinch & Boston Museum for Fine Arts 1999, ISBN 0-8212-2620-7 & ISBN 978-0-8212-2620-9) Contributor. Swan Lake for Children, (Cairo Opera House, 2000) Mulid!

  8. UNDERTONES: Leiris, Lévi-Strauss and Opera – History of ... › notes › undertones-leiris-levi

    Dec 13, 2019 · Here, then, were two anthropologists, two writers, roughly from the same generation (Leiris was born in 1901, Lévi-Strauss in 1908) and who, while expressing mutual admiration for each other’s work, felt the same passion for opera, but came to oppose each other concerning the idea and representation they had of it, even of the emotions it ...

  9. Maestro Valery Gergiev - Mariinsky Ballet and Opera Theatre ... › maestro-valery-gergiev

    At the age of 35, Valery Gergiev was appointed Artistic Director of the Opera Company and, from 1996, has been Artistic and General Director of the Mariinsky Theatre . Throughout his years of dedication to the theatre, the Maestro's main aim has always been to make the Mariinsky Opera Company the best in the world.

  10. Birgit Nilsson - Wikipedia › wiki › Birgit_Nilsson

    Märta Birgit Nilsson (17 May 1918 – 25 December 2005) was a celebrated Swedish dramatic soprano.Although she sang a wide repertory of operatic and vocal works, Nilsson was best known for her performances in the operas of Richard Wagner and Richard Strauss.

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