2019
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Alan Anthony Silvestri (born March 26, 1950) is an American composer and conductor of film and television scores. He has been associated with director Robert Zemeckis since 1984, composing music for nearly all of his feature films including the Back to the Future film series, Who Framed Roger Rabbit, Death Becomes Her, Forrest Gump, Cast Away, and The Polar Express.
- Alan Anthony Silvestri
- March 26, 1950 (age 73), New York City, New York, U.S.
- 1966–present
Apr 11, 2022 · The Clan of the Cave Bear (1986) Summer Rental (1985) Cat's Eye (1985) Fandango (1985) Back to the Future (1985) Romancing the Stone (1984) In his ongoing, decades-long career as a composer, Alan Silvestri has scored some of the most iconically revered and profitable films in Hollywood history,...
Alan Silvestri. In his ongoing, decades-long career as a composer, Alan Silvestri has blazed an innovative trail with his exciting and melodic scores, winning the applause of Hollywood and movie audiences the world over. With a credit list of over 100 films Silvestri has composed some of the most recognizable and beloved themes in movie history.
- Composer, Music Department, Soundtrack
- March 26, 1950
- 3 min
Biography. In his ongoing, decades-long career as a composer, Alan Silvestri has blazed an innovative trail with his exciting and melodic scores, winning the applause of Hollywood and movie audiences the world over. With a credit list of over 100 films Silvestri has composed some of the most recognizable and beloved themes in movie history.
- The Back To The Future trilogy (1985 – 1990) What else was going to top the list? Back To The Future remains the composer’s crowning achievement, not just for the mind-bending intricacy of its orchestrations, but also for how the series hangs together musically, motifs and rhythmic ideas criss-crossing each of the three movies.
- Predator (1987) The seeds of all future Silvestri action scores were sewn here. John McTiernan’s jungle-set action-thriller starring Arnold Schwarzenegger is a terse blast in testosterone, and demanded a tightly focused score to go with it.
- The Abyss (1989) Silvestri’s only collaboration with James Cameron drew out the best in him. The movie’s oppressive underwater environment, combined with its assortment of near-angelic aliens, allow the composer to paint in intriguing shades of light and shade, as carefully judged synth textures gradually give way to passages of awe-inspiring choral beauty, especially during the climax.
- Judge Dredd (1995) Sly Stallone may have made the mistake of taking the Judge’s helmet off in this much-maligned dystopian actioner, but Silvestri never puts a foot wrong as far as the score is concerned.
The Clan of the Cave Bear (1986) Back to the Future (1985) Cat's Eye (Vinyl - Out of Print) (1985) Fandango (1985) Romancing the Stone (1984) CHiPs Volume 3: Season Four (1981) CHiPs Volume 2: Season Three (1980) CHiPs Volume 1: Season Two (1979) In his ongoing, decades-long career as a composer, Alan Silvestri has scored some of the most ...
May 9, 2019 · How Alan Silvestri Created The Perfect Music for Endgame's Avengers Assemble Moment The composer of some of cinema's most iconic themes talks creating a sound for the Avengers, jazzing up a heist, and Endgame's most challenging scene.
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