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- Francis, God's Fool1950
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- Guardie e ladri1951
- The Voice of Silence1953
- In Olden Days1952
- Vita da cani1954
- Flesh Will Surrender1950
- Paris est toujours Paris1951
- Cameriera bella presenza offresi...1951
- La Tosca1973
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Aldo Fabrizi. Actor: Rome, Open City. Beloved, hugely popular Italian comic character actor/writer/director, in music halls and variety shows for much of his early career. Fabrizi entered films in 1942 and often wrote and directed his vehicles, winning international acclaim in the Roberto Rossellini's neorealist drama Rome, Open City (1945), in ...
- January 1, 1
- Rome, Lazio, Italy
- January 1, 1
- Rome, Lazio, Italy
Aldo Fabrizi ( Italian pronunciation: [ˈaldo faˈbrittsi]; born Aldo Fabbrizi; [1] 1 November 1905 – 2 April 1990) was an Italian actor, director, screenwriter and comedian, best known for the role of the heroic priest in Roberto Rossellini 's Rome, Open City and as partner of Totò in a number of successful comedies.
ALDO FABRIZI'S BEST FILMS. ... Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie ...
Rome, Open City: Directed by Roberto Rossellini. With Aldo Fabrizi, Anna Magnani, Marcello Pagliero, Vito Annichiarico. During the Nazi occupation of Rome in 1944, the Resistance leader, Giorgio Manfredi, is chased by the Nazis as he seeks refuge and a way to escape.
- 2 min
- 92
From Wikipedia, the free encyclopedia. Aldo Fabrizi (November 1, 1905, Rome, Italy – April 2, 1990, Rome, Italy) was an Italian actor and cinema and theatre director. Description above from the Wikipedia article Aldo Fabrizi, licensed under CC-BY-SA, full list of contributors on Wikipedia
Aldo Fabrizi was an actor who had a successful Hollywood career. Fabrizi found his beginnings in film with roles in "Open City" (1946), "Flowers of St. Francis" (1950) and "Three Steps North" (1951).
Popular Italian, music hall comedian Aldo Fabrizi made his first film appearance in 1942. He was elevated to international fame three years later for his decided noncomic performance as a defiant anti-fascist priest in Rossellini's Open City. Thereafter, he alternated between dramatic roles and comedy characterizations with a wistful touch.