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Portraits of Georgia O’Keeffe. Georgia O’Keeffe and Alfred Stieglitz met in 1916, when she paid a visit to 291 to see an exhibition of Marsden Hartley works. Nearly twenty-four years his junior and just gaining recognition as a painter, O’Keeffe made an immediate impact on Stieglitz—both artistically and emotionally.
Georgia O’Keeffe was one of the most photographed women of the twentieth century. She actively participated in the creation of her own dramatic image, beginning in 1918, with the series of more than 300 photographs created by Alfred Stieglitz, the avant-garde photographer and gallerist who became her husband in 1924.
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This photograph marks the beginning of the romantic relationship between Alfred Stieglitz and Georgia O’Keeffe, which transformed each of their lives and the story of American art. The two met when Stieglitz included O’Keeffe, a then-unknown painter, in her first group show at his gallery 291 in May 1916.
Artwork Details. Title: Georgia O'Keeffe — Hands. Artist: Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York) Date: 1919. Medium: Palladium print. Dimensions: 22.9 x 18.9 cm (9 x 7 7/16 in. ) Classification: Photographs. Credit Line: Gift of Georgia O'Keeffe, through the generosity of The Georgia O'Keeffe Foundation and ...
Photographer and gallerist Alfred Stieglitz photographed the artist Georgia O’Keeffe extensively over the course of their long relationship. Though he considered his closely framed pictures of her face and isolated parts of her body—in this case, her hands—as stand-ins for her whole person, the totality of images he took of her over time ...
1918. Thomas Walther Collection. Grace M. Mayer Fund. We have identified these works in the following photos from our exhibition history. Alfred Stieglitz. Georgia O'Keeffe: A Portrait. 1918. Georgia O'Keeffe. Palladium print. 9 5/16 × 7 3/8" (23.6 × 18.7 cm). Thomas Walther Collection.
After Alfred Stieglitz’s death in 1946, Georgia O’Keeffe sought to collect in New York all of his personal and professional correspondence and papers, clipping files, scrapbooks, photographs, publications, exhibition-related material, and other documentary evidence of his life. In 1948, her friend Carl Van Vechten suggested to O’Keeffe ...
