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- Webern was arguably the first and certainly the last of the three to write music in an aphoristic, expressionist style, reflecting his instincts and the idiosyncrasy of his compositional process. During and after World War I, he set folk, lyric, and religious texts in texturally dense Lieder.
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Webern’s expressionism, while aphoristic and pointillistic, is distinguished by extraordinary sensitivity of diction and colouring, encompassing the gamut from atmospheric suspense to explosive vehemence.
The three central figures of musical expressionism are Arnold Schoenberg (1874–1951) and his pupils, Anton Webern (1883–1945) and Alban Berg (1885–1935), the so-called Second Viennese School.
Webern was arguably the first and certainly the last of the three to write music in an aphoristic, expressionist style, reflecting his instincts and the idiosyncrasy of his compositional process. During and after World War I, he set folk, lyric, and religious texts in texturally dense Lieder.
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- 15 September 1945 (aged 61), Mittersill, Austria
- 3 December 1883, Vienna, Austria
- List of compositions
Nov 22, 2023 · Schoenberg, Anton Webern, and Alban Berg, the Second Viennese School members, are the three most visible figures in expressionist music. In addition to these most visible composers, there are some standout expressionist composers of the era:
The Second Viennese School ( German: Zweite Wiener Schule, Neue Wiener Schule) was the group of composers that comprised Arnold Schoenberg and his pupils, particularly Alban Berg and Anton Webern, and close associates in early 20th-century Vienna.
Expressionism as a musical genre is difficult to exactly define. It is, however, one of the most important movements of 20th Century music. The three central figures of musical expressionism are Arnold Schoenberg and his pupils, Anton Webern and Alban Berg, the so-called Second Viennese School.
Jan 6, 2015 · Anton Webern was an Austrian composer and conductor. He was a member of the Second Viennese School. As a student, significant follower of, and influence on Arnold Schoenberg, he became one of the best-known exponents of the twelve-tone technique.
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