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Beginning in the year 1911, Webern began a series of three works that would bring him to the brink of silence: the Six Bagatelles, mentioned above; Five Pieces for Orchestra, Op. 10; and Three Little Pieces for Cello and Piano, Op. 11. The rigorous working of the materials of these pieces reflect expressive sound worlds of great tension not ...
Work Title Fünf Stücke für Orchester Alt ernative. Title Five Pieces for Orchestra Name Translations Cinq pièces pour orchestre; Cinque pezzi per orchestra (Webern); Five Pieces for Orchestra, Op. 10; 5つの小品 (ヴェーベルン)
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Webern’s “Five Pieces for Orchestra, Op. 10” showcases his unique style known as the Second Viennese School, characterized by its concise and suggestive nature. Each piece hints at a myriad of emotions and ideas, leaving room for the listener’s interpretation and personal connection. Although the absence of lyrics may appear limiting ...
Echoes of the work appear in The Planets (originally titled Seven Pieces for Large Orchestra), and in the opening of his ballet The Lure (1921), which closely resembles the third of Schoenberg's Five Pieces. Recordings. Two piano arrangement by Anton Webern, performed by James Winn and Cameron Grant, Albany Records CD TROY992, UPC 034061099222
- 1909
- Fünf Orchesterstücke
- Five
- Orchestra
Description. Anton Webern 's Five Pieces for Orchestra, Op. 10 require less than five minutes to perform. The movements are not thematically connected, nor do they include traditional formal plans or tonal relationships. What they do contain is probably the most convincing utilization of Klangfarbenmelodie (tone-color melody) ever and apply an ...