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  1. Bremer with Arturo de Córdova on Adventures of Casanova (1948) One of her last films was alongside Mexican movie star Arturo de Córdova in Adventures of Casanova (1948). Reportedly disappointed with her Hollywood career, she elected not to renew her contract and left the film industry.

  2. Arthur Freed discovered Lucille when she was working in a nightclub doing a specialty dance act, and decided to cast her as Rose Smith in Meet Me in St. Louis, and began building up her career which never really took off despite being put in 3 big musical productions at MGM.

    • February 21, 1917
    • April 16, 1996
  3. Yolanda and the Thief is a 1945 American Technicolor MGM musical-comedy film set in a fictional Latin American country. It stars Fred Astaire, Lucille Bremer, Frank Morgan, and Mildred Natwick, with music by Harry Warren and lyrics by Arthur Freed. The film was directed by Vincente Minnelli and produced by Arthur Freed.

  4. Arthur Freed discovered Lucille when she was working in a nightclub doing a specialty dance act, and decided to cast her as Rose Smith in Meet Me in St. Louis, and began building up her career which never really took off despite being put in 3 big musical productions at MGM.

    • January 1, 1
    • Amsterdam, New York, USA
    • January 1, 1
    • La Jolla, California, USA
  5. She was appearing at the Versailles night-club when she was spotted by the producer Arthur Freed. "The moment I saw her," said Freed later, "I realised she had the elegance of Marilyn Miller. I...

  6. "This Heart of Mine" is a 1944 song written by composer Harry Warren and lyricist Arthur Freed, and featured in the musical score of the film, Ziegfeld Follies. The song is introduced by Fred Astaire, who dances with Lucille Bremer in a lavish and romantic dance sequence.

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  8. Mar 4, 2021 · However, her luck changed when MGM producer Arthur Freed discovered her dancing at the Copacabana and Club Versailles. Ultimately, Freed invited Bremer to Hollywood for a screen test with MGM. There, she tested with a passage from Dark Victory (1939).