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Staff (music) A typical five-line staff. In Western musical notation, the staff [1] [2] ( UK also stave; [3] plural: staffs or staves ), [1] also occasionally referred to as a pentagram, [4] [5] [6] is a set of five horizontal lines and four spaces that each represent a different musical pitch or in the case of a percussion staff, different ...
Mozart: Symphony No. 40 in G Minor, K. 550: I. "Molto Allegro". Share, download and print free Wolfgang Amadeus Mozart sheet music with the world's largest community of sheet music creators, composers, performers, music teachers, students, beginners, artists, and other musicians with over 1,500,000 digital sheet music to play, practice, learn ...
After moving to Vienna Mozart started to compose the Great Mass in C minor, with a broad orchestration including violas and 12 wind instruments. In 1791, he started writing a Requiem mass, which was unfinished when he died and was first completed by his pupil Franz Xaver Süssmayr . Most nicknames of the masses were later additions.
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OpenScore wants to digitise and liberate all public domain sheet music, including the great classics of Mozart, Beethoven and Bach. Our community aims to transfer history’s most influential pieces from paper into interactive scores which you can listen to, edit and share. Together, we can make sheet music accessible to everyone.
- 2 September 2002; 21 years ago
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General Information. Misera, dove son! Ah! non son io che parlo. Recitative and Aria for soprano and orchestra. Partially modeled after/"leaped off from" (as Alfred Einstein might have put it) Myslivecek's setting of the same text in his 1775 opera "Ezio", according to Daniel E. Freeman (as mentioned here .)
Mozart 1, in 1994, was entirely based on its author's vision of what a music processor should be. Mozart's development in the subsequent decades has been driven by the needs of its users. [10] Elaine Gould's 2011 book, Behind Bars , is the primary guide to developing and maintaining music engraving in Mozart, as it is for other score writers.
Salzburg. Returning to Salzburg after a third journey to Italy in 1773, the seventeen-year-old Mozart—no longer a child prodigy, but a young professional with professional expectations—quickly grew restless. The years 1773 to 1780 marked the longest consecutive period of time Mozart would spend in his provincial hometown since his infancy.
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