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  1. Bear McCreary - Wikipedia › wiki › Bear_McCreary

    Apr 14, 2021 · Bear McCreary (born February 17, 1979) is an American musician and composer of film, television, and video games scores based in Los Angeles, California. He is best known for his work on Agents of S.H.I.E.L.D. and the reimagined Battlestar Galactica television series, as well as Outlander and The Walking Dead.

  2. The Babysitter: Killer Queen - Wikipedia › wiki › The_Babysitter:_Killer_Queen

    Apr 14, 2021 · Bear McCreary composed the score for the film.

  3. The Skye Boat Song - Wikipedia › wiki › The_Skye_Boat_Song

    Apr 13, 2021 · Bear McCreary adapted the song as the opening titles of the 2014 TV series Outlander, sung by Raya Yarbrough, changing the text of Robert Louis Stevenson's poem "Sing Me a Song of a Lad That Is Gone" (1892) to "Lass" to fit the story.

  4. Apr 08, 2021 ·

  5. Human Target (2010 TV series) - Wikipedia › wiki › Human_Target_(2010_TV_series)

    Apr 14, 2021 · Composer Bear McCreary scored the music for the first season, for which he received an Emmy Award nomination for Outstanding Main Title Theme Music. He wanted to create a modern classic-adventure score", and a heroic but still fun and iconic theme for Chance. Chance's theme later became the opening theme for the first season.

  6. The Walking Dead (TV series) - Wikipedia › wiki › The_walking_dead_tv

    Apr 10, 2021 · Bear McCreary composes The Walking Dead score Bear McCreary was hired to compose the score for the series. McCreary stated that the main theme was based on his viewing of production designs for the opening title sequence.

  7. Electric Dreams (2017 TV series) - Wikipedia › wiki › Philip_K

    Apr 11, 2021 · Harry Gregson-Williams was hired to compose the main titles theme music and score an episode, and Ólafur Arnalds and Cristobal Tapia de Veer were also hired to score multiple episodes each. Brian Transeau and Mark Isham scored music for the episode titled "Autofac", while Bear McCreary scored music for three episodes in the first season.

  8. GODZILLA VS. KONG – Tom Holkenborg | MOVIE MUSIC UK › 2021/04/06 › godzilla-vs-kong-tom

    Apr 06, 2021 · This is especially disappointing considering that the score McCreary wrote for the last film was a bonafide masterpiece which deeply acknowledged the Toho music, while also creating a host of new themes for the iconic kaiju. Instead, Holkenborg’s score is based around three specific textures rather than clearly identifiable melodic ideas.

  9. Music To Listen To – Shattered Vault › music-to-listen-to

    Apr 01, 2021 · Music can define an experience. In the World Destiny, Bungie’s Audio Team – led by Michael Salvatori – has created an incredible variety of themes that expand the universe we play in. To purchase/download the music that you hear in Destiny, click on the soundtrack icons below to be redirected over to the Bungie Store!

  10. Godzilla: King of the Monsters (2019) | Wikizilla, the kaiju ... › wiki › Godzilla:_King_of_the_Monsters
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    • Alternate Titles
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    "The new story follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species—thought to be mere myths—rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance."

    In 2014, Mark and Emma Russell desperately search through the ruins of San Francisco for their son Andrew. As Mark comes to the realization that his son is gone, he witnesses Godzillaemerge from behind a building and walk past. Five years later, Emma is separated from her husband and lives with her now 12-year-old daughter Madison. Madison receives an email from her father asking to catch up. Upon reading it, Madison initially hesitates before beginning to type a response stating that she is worried about her mother. However, the smoke detector begins to go off as Madison realizes the bacon she was cooking is burning. Emma enters the kitchen and tries to turn the alarm off and asks her daughter what is going on. Madison responds that she was trying to make breakfast, but accidentally overcooked the bacon. Madison closes her laptop before Emma can see it, and says that her father has been contacting her. Emma asks if she has responded, and she replies that she hasn't yet. Emma then i...

    Principal photography on Godzilla: King of the Monsters began on June 19, 2017, at Blackhall Studios in Atlanta, Georgia. Locations as diverse as Antarctica and Fenway Park were recreated as indoor sets. For many members of the cast, the first days of shooting were ironically for the climax of the film in Boston. To aid the actors in reacting to the off-camera monsters, Dougherty used a iPad-controlled speaker system called "The Behemoth" to play their roars.Crowd scenes in the fictious Mexican town of Isla de Mara were shot in the historic center of Mexico City from August 19 to 22. Production wrapped on September 27.

    Though the 2014 Godzilla 2 teaser at San Diego Comic-Con was not released to the public, Legendary Pictures confirmed the presence of King Ghidorah, Mothra, and Rodan in the film on Twitter the same day. From July 5 to July 12, 2017, Monarch timeline videos uploaded to Kong: Skull Islandsocial media accounts revealed the locations of each monster: Antarctica, China, and Mexico, respectively. Entertainment Weekly published a first-look article on Godzilla: King of the Monsters on July 13, 2018, including two stills showing Dr. Emma Russell and her daughter Madison in an icy chamber and Godzilla firing his atomic breath into the sky, as well as some basic plot details from director Michael Dougherty. @MonarchSciences, a Twitter account Legendary previously used to promote Kong: Skull Island, deleted all of its Tweets and began posting again on July 18. The account soon added a link to a new site where visitors could view Monarch outposts around the globe, as well as information on Mot...

    Godzilla II: King of the Monsters(international title)
    Godzilla II: King of the Monsters (Godzilla II: Rey de los monstruos; Spain)
    Godzilla II: The King of the Monsters (Godzilla II: el Rey de los monstruos; Latin America)
    Godzilla 2: King of Monsters (Годзилла 2: Король монстров Godzilla 2: Korol' monstrov; Russia)

    Premium formats

    1. RealD 3D (post-converted) 2. IMAX 3. 4DX 4. ScreenX 5. Dolby Vision and Atmos

    Toho released Godzilla: King of the Monsters theatrically in Japan as Godzilla: King of Monsters (ゴジラ キング・オブ・モンスターズ, Gojira Kingu Obu Monsutāzu). While it is the first Godzilla film released during the political Reiwa period of Japan, as an American production it is not considered part of the series' Reiwa era. Whereas the first entry in the MonsterVerse, Godzilla, arrived in Japan over two months after its U.S. release, the sequel was released on the same day, May 31. A Japanese dub for the film was recorded at Toho Studios, with Ken Watanabe, Rieko Takahashi, and Godzilla series veteran actor Katsuhiko Sasaki all reprising their voice roles from the previous film's dub. The rock band [ALEXANDROS] provided a theme song titled "Pray" exclusively for the Japanese-dubbed version of the film, which plays over the end credits in place of "Godzilla." In addition to the dubbed version, the film was also screened in its original English language with Japanese subtitles. A special early scr...

    Godzilla: King of the Monsters opened at #1 in the United States and Canada with $47.7 million, edging out Aladdin's $42.8 million. However, this represented what Box Office Mojo called "the lower end of studio expectations," and was significantly less than the domestic opening weekends of Godzilla and Kong: Skull Island, which earned $93.2 million and $61 million, respectively.Internationally, it opened with $130 million.

    Godzilla: King of the Monsters received mixed reviews from critics. 42% of the 332 critic reviews cataloged on the review aggregator site Rotten Tomatoes for Godzilla: King of the Monsters were positive. The site's Critical Consensus reads, "Godzilla: King of the Monstersdelivers spectacular kaiju action -- and reaffirms that cutting-edge effects are still no substitute for a good story." Another aggregator, Metacritic, gave it a 49, indicating "mixed or average reviews." Compared to critic scores, aggregated audience scores are considerably more positive. The film holds an 83% audience score on Rotten Tomatoes from 21,569 reviews and a 7.6 user score on Metacritic indicating "generally favorable reviews." Reviews from fans are generally positive as well, with Richard Pusateri of SciFi Japan giving the film a glowing review. He praised the film's devotion to the source material, saying "GODZILLA: KING OF THE MONSTERS, the third installment in the Legendary Pictures MonsterVerse seri...

    Warner Bros.DVD / Blu-ray + DVD + Digital copy / Blu-ray 3D + Blu-ray + Digital copy / 4K Ultra HD + Blu-ray + Digital copy (2019) 1. Region: Various 2. Discs: 2 3. Audio: English, French, Spanish, Portuguese (Dolby Atmos for 4K Ultra HD, Blu-ray 3D, and Blu-ray; Dolby Digital 5.1 for DVD) 4. Subtitles: English, Latin Spanish, Parisian French, Canadian French, Brazilian Portuguese 5. Special Features: Audio commentary by director Michael Dougherty, deleted scenes (5:01), trailers (12:08), Godzilla: Nature's Fearsome Guardian (1:00), Mothra: Queen of the Monsters (2:01), King Ghidorah: The Living Extinction Machine (1:30), Rodan: Airborne God of Fire (1:01), Godzilla 2.0 (27:24), Monarch in Action (32:56), Making Mothra (7:00), Creating Ghidorah (6:23), Reimagining Rodan (5:21), The Yunnan Temple (6:58), Castle Bravo (6:18), The Antarctic Base (6:24), The Isla de Mara Volcano (5:55), The Undersea Lair (7:18), Millie Bobby Brown: Force of Nature (4:09), Monster Tech: Monarch Joins the...

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