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  1. Considered the most beautiful of Ludwig van Beethoven's piano concertos, his Piano Concerto No. 4 in G major, Op. 58 is here performed in an atmospheric sett...

    • Oct 9, 2021
    • 86.9K
    • DW Classical Music
  2. Beethoven-Piano Concerto No. 4 in G Major Op. 58 (Complete) viool7. 17.5K subscribers. Subscribe. 74K views 10 years ago. Rudolf Serkin: piano-Philadelphia Orchestra-Eugene Ormandy: conductor-1962...

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    • viool7
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  4. 🎵 Buy the MP3 album on the Official Halidon Music Store: https://bit.ly/2VESy0Z🎧 Listen to our playlist on Spotify: http://bit.ly/BeethovenEssentialClassic...

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  5. Sep 13, 2021 · Here are five piano concertos that continue to inspire today’s most talented pianists and audiences. No. 1: Beethoven’s Piano Concerto No. 5, “Emperor” (215 performances) In 1809, France was at war with Austria and Napoleon’s army was shelling Vienna while Beethoven was composing his Piano Concerto No. 5.

    • Jessica Duchen
    • Beethoven: Piano Concerto No. 4 – and No. 5 too. Composers have been trying to beat Beethoven for 200 years. Few succeed. Choosing the best of his five piano concertos is an unenviable task – and so I suggest both his Fourth and Fifth concertos as equal crowning glories of the repertoire.
    • Rachmaninov: Piano Concerto No. 2. Come on, don’t be mean – this concerto is perfect. It’s almost impossible to fault one page, one phrase, one note in one of the greatest piano concertos.
    • Mozart: Piano Concerto In C Minor, K491. Mozart’s 27 piano concertos comprise the largest body of piano concertos that are regularly heard in concert halls, although (scandalously) a relatively small handful are regularly performed.
    • Brahms: Piano Concerto No. 1. This concerto took two different forms – symphony, then two-piano sonata – before settling down as a concerto. It was profoundly affected by the fate of Robert Schumann.
  6. Dec 17, 2022 · In the Piano Concerto No. 4 in G major, Beethoven inhabits new worlds that are both brave and breathtaking. It is brave, for a start, to begin a concerto with the soloist playing alone, very quietly.