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Nov 17, 2019 · The Best New Wave Bands 1 2,080 889 Depeche Mode More Depeche Mode The Best Depeche Mode Songs of All Time The Best Depeche Mode Albums of All... 2 1,447 596 Tears for Fears More Tears for Fears The Best Tears For Fears Songs of All Time #226 of 363 Musicians Who... 3 886 316 Siouxsie & the Banshees ...
Oct 13, 2020 · The 50 Best New Wave Albums. 50. Pretty in Pink (1986) John Hughes’ use of music was so distinct and masterful that to this day, lazy music writers can describe something as ... 49. The Vapors: New Clear Days (1980) 48. The Beat (The English Beat): I Just Can’t Stop It (1980) 47. Bow Wow Wow: I Want ...
New Wave Artists Background 'New Wave' evolved from 'Punk' in the late '70s being less anti-social and more radio (and MTV) friendly, hitting it's high in '83 and faded around '87. It can be best described as mixing the energy of Punk with a bit of 'Glam', 'Pop', 'Art-Rock' & 'Dance' and relied heavily on synthesizers.
- Elvis Costello, ‘My Aim is True’ Melding the swagger of 1950s rock’n’roll with the raw energy of punk, Elvis Costello’s 1977 debut encapsulates the spirit of new wave.
- Television, ‘Marquee Moon’ (1977) Advertisement. Along with the Ramones and Blondie, Television made their name playing at the New York dive venue CBGB – and from the beginning they stuck out from the crowd they ran in.
- The Cars, ‘The Cars’ (1978) The Cars’ first single ‘Just What I Needed’ name-checked both the Velvet Underground (the lyric “wasting all my time-time” references their song ‘Sister Ray’) and bubblegum outfit Ohio Express – and it’s indicative of the group’s approach as a whole.
- Blondie, ‘Parallel Lines’ (1978) Pre-’Parallel Lines’, Blondie were possibly New York City’s most tuneful punks, embracing everything from doo-woppy French yé-yé and 60s pop to the rhythmic pulse of disco.
Aug 22, 2018 · New wave and its ugly twin sister, post-punk, are two terms used and abused with abandon when describing the music that followed the punk rock explosion of the mid-70s. To some people, new wave was the music made by bands who were too traditionally melodic to be classed as punk; bands that believed in good ol’ songwriting, in craft and – shock horror – quite liked the idea of having a ...
- “The Big Country”—Talking Heads. Beginning with a mournful country twang, the song rings of coastal snobbery, but I can’t say I haven’t felt this. David Byrne is a plane flying cross-country noting “a baseball diamond, nice weather down there, places to park,” and decides, “I wouldn’t do the things the way those people do/I wouldn’t live there if you paid me.”
- “You’re All I’ve Got Tonight”—The Cars. “Just What I Needed” put the Boston quintet on the map—Roxy-ish, synth-and-guitar driven power-pop—but “You’re All I’ve Got Tonight” is the pick.
- “Just Can’t Get Enough”—Depeche Mode. Before singer Dave Gahan joined and Depeche Mode embraced a darker, more art-rock side, singer-songwriter Vince Clarke penned this almost absurdly buoyant hit about nothing so much as the joy of being alive and experiencing all life had to offer.
- “Tank”—The Stranglers. Margaret Thatcher was a year away from power and Ronald Reagan two years, but tension was in the air and the sabers were rattling.
- The Cars. One of the original and most musically balanced torchbearers for the new wave style, the Cars both exemplified and defined new wave with their sweeping, accessible sound.
- Talking Heads. Almost all of the early New York City punk rock bands would ultimately take on the new wave descriptor, which is actually rather appropriate given the array of experimental styles found in that city's mid-'70s scene.
- Elvis Costello. A common characteristic of the most enduring artists of the new wave era, perhaps by necessity, is an overriding versatility and searching needs to test the boundaries of what pop music had to offer.
- The Police. The proximity of the Police to the punk rock revolution in England may have had as much to do with the band's inclusion in the new wave category as its reggae-inflected sound, but the trio certainly reflected the variety ultimately housed within the genre.
- XTC - English Settlement. February 12, 1982. Score. 100. Spotify.
- Elvis Costello - This Year's Model. March 17, 1978. Score. 100. Spotify.
- Talking Heads - Remain in Light. October 8, 1980. Score. 100. Spotify.
- Talking Heads - Fear of Music. August 3, 1979. Score. 100. Spotify.