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Dec 25, 2014 · The True Story Behind Big Eyes. Amy Adams in Big Eyes ... though it is unclear whether they reached an implicit agreement to do so for publicity as the movie suggests.
- Eliana Dockterman
In researching the true story behind the Big Eyes movie, we discovered that the popularity of the big-eye paintings soared when the Keanes started to mass produce the images for sale as posters, on postcards, china plates, refrigerator magnets, etc., making the art affordable to the masses. It was also available at mainstream locations like ...
- Big Eyespluto.tv
- Big Eyes TV SPOT - True Story (2014) - Amy Adams, Christoph Waltz Movie HDyoutube.com
- Big Eyes (2014) Featurette - True Storyyoutube.com
- Big Eyes Featurette - True Story (2014) - Amy Adams, Christoph Waltz Movie HDyoutube.com
Big Eyes: the true story of Margaret and Walter Keane. Director Tim Burton and artist Margaret Keane, subject of his latest film 'Big Eyes', talk about one of the biggest lies in American art
Dec 18, 2014 · The much anticipated Tim Burton movie, Big Eyes, is in theaters on Dec. 25, and already the press is buzzing.Kate and I cannot wait to see this film — the story of artist Margaret Keane, painter of the iconic, midcentury Big Eyes paintings — the top-selling paintings of the 1960s.
Dec 25, 2014 · The story behind 'Big Eyes': Artist Margaret Keane and actress Amy Adams paint a picture of art world's most shocking con. By Philip Caulfield. ... It's one of the movie's best scenes.
Big Eyes is a 2014 American biographical comedy-drama film directed by Tim Burton, written by Scott Alexander and Larry Karaszewski and starring Amy Adams and Christoph Waltz. The film is about the life of American artist Margaret Keane —famous for painting and drawing portraits of people with big eyes.
- $10 million
- Danny Elfman
- December 15, 2014 (New York City), December 25, 2014 (United States)
- Tim Burton, Scott AlexanderLarry Karaszewski, Lynette Howell
Walter shows him Margaret's Big Eyes paintings but Ruben scoffs at them, saying the eyes are like big stale jellybeans. He tells Walter to leave before the taste police arrives. Margaret and Walter to go an exclusive jazz club with Walter complaining that art's popularity is determined by a committee who meet for brunch and decide what's cool.