Harriet
2019
Search results
Jan 18, 2018 · Laurie and Bill Benenson have joined Native activist and filmmaker Cody Lucich and producer Gingger Shankar as executive producers of Akicita: The Battle Of Standing Rock. Premiering at the Sundance Film Festival on January 23, the film gives an inside look at the spirit and struggle of young Native protesters in their fight against the Dakota ...
May 11, 2016 · LAURIE AND BILL BENENSON JOIN ‘AKICITA: THE BATTLE OF STANDING ROCK’ AS EXECUTIVE PRODUCERS. Laurie and Bill Benenson have joined Native activist and filmmaker Cody Lucich and producer Gingger Shankar as executive producers of Akicita: The Battle Of Standing Rock. Premiering at the Sundance Film Festival on January 23, the film gives
In more than 30 years of producing and directing, Bill Benenson has made several documentaries, including The Marginal Way, about the fishing and artistic community of Ogunquit, Maine; and...
The Movie (which was significantly influenced by Bioneers), directed by her husband Bill Benenson and his partner Gene Rosow, and is a producer on the documentary The Hadza: Last of the First, also directed by Bill. She is currently an Executive Producer on the film Kiss the Ground, which will focus on the possibility of reducing atmospheric ...
The Movie, directed by her husband Bill Benenson and his partner Gene Rosow, and as a producer on the documentary The Hadza: Last of the First, also directed by Bill. She is currently the producer of the documentary Lost City of the Monkey God, and an Executive Producer of three other films: Fantastic Fungi, Kiss the Ground, and, of course ...
Nov 16, 2017 · Bill Benenson. Bioneers | Published: November 16, 2017. Bill Benenson has been making films for over forty years, beginning with his award-winning documentaries The Marginal Way and Diamond Rivers. He has produced or executive produced numerous feature films including Boulevard Nights,The Lightship, and Mister Johnson, and was the 1st Executive ...
Roles: Producer Laurie Benenson founded Movieline Magazine, serving as its editor-in-chief for six years. She went on to write for the New York Times Arts and Leisure Section for five years as a West Coast correspondent on film and television.
