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  1. The plot of The Birth of a Nation revolves around two families living on either side of the Mason-Dixon Line who become friends when their sons board together at school. The Stonemans, the Northern family, live in Washington, D.C., and own a rural getaway in Pennsylvania. The Honorable Austin Stoneman, an abolitionist politician, presides over ...

    • Symbols

      A summary of Symbols in D. W. Griffith, Thomas Dixon's Birth...

    • Motifs

      A summary of Motifs in D. W. Griffith, Thomas Dixon's Birth...

  2. Nat is taken with a "wench" named Cherry (Aja Naomi King) that is being sold off. He convinces Samuel to buy her for $275. On the way home, Nat picks up a toy for a white boy and informs his thankful mother, but her husband smacks Nat with a rod for talking to his wife. He continues to hit Nat until Nat grabs the rod.

  3. English. Budget. $8.5 million [2] Box office. $16.8 million [2] The Birth of a Nation is a 2016 historical drama film written and directed by Nate Parker in his directorial debut. It is based on the story of Nat Turner, the enslaved man who led a slave rebellion in Southampton County, Virginia, in 1831.

    • $8.5 million
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  5. Jan 26, 2016 · Certain to be the most widely discussed and rousingly received film in the U.S. dramatic competition at Sundance this year, “The Birth of a Nation” comes to us at a particularly fortuitous ...

  6. Jan 22, 2010 · Lillian Gish and Henry B. Walthall in The Birth of a Nation (1915), directed by D.W. Griffith. The Birth of a Nation, landmark silent film starring Lillian Gish, released in 1915, that was the first blockbuster Hollywood hit. It was the longest and most-profitable film then produced and the most artistically advanced film of its day.

  7. Oct 7, 2016 · The Birth of a Nation: Directed by Nate Parker. With Nate Parker, Armie Hammer, Penelope Ann Miller, Jackie Earle Haley. Nat Turner, a literate slave and preacher in the antebellum South, orchestrates an uprising.

  8. Oct 9, 2016 · Nate Parker’s film “The Birth of a Nation” is an impassioned and aesthetically distinct reflection on Nat Turner’s life. It is also seriously damaged by arrogance, vanity, and self-importance.

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