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  2. Generally speaking, Byzantine art differs from the art of the Romans in that it is interested in depicting that which we cannot see—the intangible world of Heaven and the spiritual. Thus, the Greco-Roman interest in depth and naturalism is replaced by an interest in flatness and mystery.

  3. Byzantine mosaics are mosaics produced from the 4th to 15th centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular and historically significant art forms produced in the empire, and they are still studied extensively by art historians.

  4. Mosaics. Mosaic icon of the Virgin Episkepsis, Constantinople, late 13th century, glass, gold, and silver tesserae, Athens, Byzantine and Christian Museum. The inscription He Episkepsis refers to the Virgin’s miraculous intervention in time of need. It also appears in Byzantine hymns describing her as “the shelter [episkepsis] of the weak ...

  5. Mosaics were one of the most popular forms of art in the Byzantine Empire. They were extensively used to depict religious subjects on the interior of churches within the Empire and remained a popular form of expression from 6th century to the end of the Empire in the 15th century.

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  6. Byzantine art, the visual arts and architecture produced during the Middle Ages in the Byzantine Empire. Almost entirely concerned with religious expression, Byzantine art is known for the mosaics covering the interior of domed churches. They often feature flat and frontal figures floating on a golden background.

    • The Editors of Encyclopaedia Britannica
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  7. Large mosaics depicting the Emperor and Empress established Byzantine composition and figurative techniques, as the realistic depictions of classical art were abandoned in favor of an emphasis upon iconographic formality.

  8. Middle Byzantine mosaics. Scholars have been concerned to discover how Iconoclasm, the dispute concerning images during the 8th and 9th centuries, may have influenced the course of Byzantine art. In some respects, at least, mosaic reflects very little change. The main source of knowledge about the state of mosaic in the time shortly after the ...

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