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  1. Dec 6, 2023 · Miniature mosaics. From around the twelfth century to the fourteenth century, the Byzantines also began creating portable mosaic icons by setting small tesserae into wax or resin on wood panels, which were often enclosed in silver-gilt frames. These objects are sometimes referred to as “miniature mosaics” or “micro-mosaics.”.

  2. Summary of Byzantine Art and Architecture. Existing for over a thousand years, the Byzantine Empire cultivated diverse and sumptuous arts to engage the viewers' senses and transport them to a more spiritual plane as well as to emphasize the divine rights of the emperor. Spanning the time between antiquity and the Middle Ages, Byzantine art ...

  3. Dec 6, 2023 · This is the case with the Byzantine church of Hagia Sophia —the main cathedral in Constantinople (modern Istanbul)—which the Byzantines often referred to as the “Great Church.”. Built by emperor Justinian during the brief period of 532–537, Hagia Sophia was at first primarily decorated with crosses and non-figural motifs.

  4. Dec 6, 2023 · In this sense, art of the Byzantine Empire continued some of the traditions of Roman art. Generally speaking, Byzantine art differs from the art of the Romans in that it is interested in depicting that which we cannot see—the intangible world of Heaven and the spiritual. Thus, the Greco-Roman interest in depth and naturalism is replaced by an ...

  5. From around the twelfth century to the fourteenth century, the Byzantines also began creating portable mosaic icons by setting small tesserae into wax or resin on wood panels, which were often enclosed in silver-gilt frames. These objects are sometimes referred to as “miniature mosaics” or “micro-mosaics.”.

  6. Nov 21, 2023 · Byzantine art is a significant art form created in the Byzantine Art period, which lasted from 330 to 1453 A. D. It has both similarities and differences from early Christian art.

  7. Mosaic - Middle Byzantine, Art, Decoration: Scholars have been concerned to discover how Iconoclasm, the dispute concerning images during the 8th and 9th centuries, may have influenced the course of Byzantine art. In some respects, at least, mosaic reflects very little change. The main source of knowledge about the state of mosaic in the time shortly after the end of Iconoclasm is Hagia Sophia ...

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