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The work of the three reformers is a landmark in the history of Greek Church music, since it introduced the system of neo-Byzantine music upon which are based the present-day chants of the Greek Orthodox Church.
- ἀναβλέψας πρὸς τὸν πλάστην —σὺν τούτῳ δὲ σύνευνος ἡ τούτου—
- Early Christian Period
- Medieval Period
- Later Byzantine and Post-Byzantine Periods
Byzantine chant manuscripts date from the ninth century, while lectionaries of biblical readings in Ekphonetic Notation (a primitive graphic system designed to indicate the manner of reciting lessons from Scripture) begin about a century earlier and continue in use until the twelfth or thirteenth century. Our knowledge of the older period is derive...
Two concepts must be understood if we are to appreciate fully the function of music in Byzantine worship. The first, which retained currency in Greek theological and mystical speculation until the dissolution of the empire, was the belief in the angelic transmission of sacred chant: the assumption that the early Church united men in the prayer of t...
With the end of creative poetical composition, Byzantine chant entered its final period, devoted largely to the production of more elaborate musical settings of the traditional texts: either embellishments of the earlier simpler melodies, or original music in highly ornamental style. This was the work of the so-called Maistores, "masters," of whom ...
"This collection of Byzantine liturgical music represents a great accomplishment in the young life of the Orthodox Church in America. The metered English translations, set to melodies from the greatest masters of Byzantine hymnology, make the inaccessible obtainable and the cryptic readable.
Byzantine chant, monophonic, or unison, liturgical chant of the Greek Orthodox church during the Byzantine Empire (330–1453) and down to the 16th century; in modern Greece the term refers to ecclesiastical music of any period.