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Camille Claudel (1864-1943) Shown in its plaster version at the Salon in 1897, The Wave , like The Gossips , was made almost entirely by Camille Claudel herself. The three identical small female figures all bend their knees at the sight of the huge wave of onyx marble about to break over their heads.
- Childhood
- Early Training
- Mature Period
- Late Period
- The Legacy of Camille Claudel
Camille Claudel was born in 1864 in Fère-en-Tardenois, Aisne, France. Her father made a living from mortgage dealings and bank transactions, and her mother came from a long line of wealthy Catholic farmers. The family moved from place to place, one of which was Villeneuve-sur-Fère, which made a deep impression on Claudel and the family would contin...
At the time, very few spaces were open for women to study art. The official École des Beaux-Arts remained exclusively for men until 1897. Thus, Claudel studied sculpture at the more forward thinking, Académie Colarossi, where promising female artists were not only admitted, but where they were also (highly controversially) permitted to draw from th...
Alongside becoming Rodin's muse and the source for many of his portraits and allegories, her own work was getting stronger and she became a great influence on Rodin stylistically. Her 1886 sculpture, Shakuntala, won a Salon Prize. Her daring use of the nude combined with strong psychological message had started to attract attention from art critics...
Claudel had been working and living alone in her studio on the île St-Louis since 1899 and despite support from the Comtesse de Maigret, continued to have financial difficulties. It is recorded that Rodin paid her rent in 1904 and continued to search for commissions for her. From 1905 onwards, Claudel's mental health appeared to be deteriorating, a...
Following a long period of relative obscurity, with her work having been significantly overshadowed by her relationship with Rodin, it has now re-emerged and become rightfully recognized for its ingenuity in the portrayal of emotion and human nature. More so than that of any of her male contemporaries, the work of Claudel looks forward to the expre...
- November 8, 1864
- October 19, 1943
But Rodin’s refusal to leave Rose Beuret enraged Camille Claudel, who expressed her anger with rare ferocity in her caricatures of the couple. Alarmed by Claudel’s violent character, Rodin began to avoid her, although he still loved her, and settled in Meudon in late 1893.
Oct 10, 2023 · Claudel carefully composed limbs, stances, and even the position of heads to create a clear narrative that advances in a dramatic upward sweep. The achingly small distance between the man’s outstretched hand and those of the imploring youth is nonetheless vast and devastating in its finality.
‘The Wave’ was created in 1897 by Camille Claudel in Impressionism style. Find more prominent pieces of sculpture at Wikiart.org – best visual art database.
Camille Rosalie Claudel ( French pronunciation: [kamij klodɛl] ⓘ; 8 December 1864 – 19 October 1943) was a French sculptor known for her figurative works in bronze and marble. She died in relative obscurity, but later gained recognition for the originality and quality of her work.
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Jan 8, 2021 · French artist Camille Claudel was an extraordinary female 19th-century sculptor who worked very closely with Auguste Rodin.
