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- Butchered At Birth (1991) Just... disgusting. While some bands have a sophomore slump, Cannibal Corpse used their second album to up the ante on everything that made them unique.
- Kill (2006) You would be hard-pressed to find a more perfect modern death metal album than 2006’s Kill. From the band’s urgent guitars, to Erik Rutan’s vibrant production, to Corpsegrinder’s infuriated bark, to the beautifully simple album title, to Vincent Locke’s insanely detailed leering madman art, this one has it all.
- Tomb Of The Mutilated (1992) Even if one ignores the timeless, unstoppable assault of opener Hammer Smashed Face, 1992’s Tomb Of The Mutilated is one of Cannibal Corpse’s finest moments.
- The Bleeding (1994) In many ways, The Bleeding is Cannibal Corpse’s “mainstream” album (as mainstream as dudes who sing about entrails being ripped from cunts get, anyway), in that it probably contains the most songs of any CC album that fans will know offhand.
Mar 1, 2021 · Cannibal Corpse are among the originators of hyper brutal, gory album covers, which has been both to the band's benefit (word of mouth shock value) and chagrin (certain countries once...
Mar 9, 2021 · Cannibal Corpse covers, like the mentioned ‘Butchered At Birth’, ‘Eaten Back To Life‘ (1990), and really anything from your 90’s era have shocked thousands, if not millions, through various grotesque means.
- Brad Sanders
- Kill (2006) It’s not easy to pinpoint exactly what makes Kill, Cannibal Corpse’s 10th studio album, their best. Superficially, it looks a lot like every other Cannibal Corpse record.
- Vile (1996) George “Corpsegrinder” Fisher announced his arrival in Cannibal Corpse with a blood-curdling scream. You can feel the opening roar from “Devoured By Vermin” in the pit of your stomach, which is where Corpsegrinder has lived ever since.
- Tomb Of The Mutilated (1992) If you find yourself wondering how The Bleeding finds itself in dead last on this list for its tastelessness, but Tomb Of The Mutilated sits in the top three despite being home to “Necropedophile” and “Addicted To Vaginal Skin,” well, welcome to Cannibal Corpse fandom.
- Gallery Of Suicide (1998) When Corpsegrinder joined Cannibal Corpse for 1996’s Vile, the songs were mostly written already. If Chris Barnes had been able to keep the tension between him and the rest of the band under control a few months longer, he would have appeared on the album.
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- 'The Bleeding' (1994) The final album of the Chris Barnes era also proved to be the best Cannibal Corpse have ever done. With their songwriting craft in full bloom, they penned perennial death metal anthems in the menacing, man-handling pace of “Stripped, Raped and Strangled” and the unforgiving “F--ked With a Knife.”
- 'Tomb of the Mutilated' (1992) Ahh, “Hammer Smashed Face.” If this isn’t the finest death metal song ever written, then no song can lay its claim on that coveted title. ‘
- 'Bloodthirst' (1999) Four years after selecting Corpsegrinder to replace Chris Barnes, Cannibal Corpse hit their mark with the relatively new lineup, also seeing Pat O’Brien make his second album contribution. ‘
- 'The Wretched Spawn' (2004) Cannibal Corpse continued their impressive streak with 2004’s ‘The Wretched Spawn.’ Boasting the most savage and grotesque artwork since ‘Tomb of the Mutilated,” the record is a 45 minute exercise in unbridled aggression with the pedal firmly affixed to the floor.
Aug 11, 2014 · While speaking with drummer Paul Maurkiewicz at Mayhem Fest’s stop in Camden, NJ earlier this month, we asked him to name his five favorite album covers that longtime collaborator Vince Locke has created for Cannibal Corpse’s catalogue.
Cannibal Corpse's album covers, a grotesque mix of zombies, necrophilia, and horrific violence, became notorious battlegrounds in the fight over artistic freedom and societal boundaries. They weren't just a band, they were a bloody Rorschach test.
