Search results
The Incredulity of Saint Thomas is a painting of the subject of the same name. It is one of the most famous paintings by the Italian Baroque master Caravaggio, c. 1601-1602. There are two autograph versions of Caravaggio's The Incredulity of Saint Thomas, an ecclesiastical "Trieste" version for Girolamo Mattei (Giovanni Baglione) which is now ...
- 107 cm × 146 cm (42 in × 57 in)
- Caravaggio
- 1602
The Incredulity of Saint Thomas is without any accessories or any indication of setting. It is tensely concentrated, compact within a solid Romanesque archway formed by the outline of the four figures clustered intimately together against a dark background. The focus is on Saint Thomas's right hand, firmly guided by Christ's, as the stolid ...
Learn about the history, style, and meaning of Caravaggio's painting Doubting Thomas, depicting the apostle Thomas incredulously poking the wounds of Jesus. Find out how Caravaggio's use of light, technique, and composition influenced the Baroque art movement and other artists.
People also ask
Why does Caravaggio have a halo in the Incredulity of Saint Thomas?
How did Thomas' disbelief affect Caravaggio?
Why did Caravaggio leave Rome?
Are doubting Thomas and supper at Emmaus based on Caravaggio's works?
The Incredulity of Saint Thomas by Caravaggio, c. 1602. A doubting Thomas is a skeptic who refuses to believe without direct personal experience – a reference to the Gospel of John's depiction of the Apostle Thomas, who, in John's account, refused to believe the resurrected Jesus had appeared to the ten other apostles until he could see and feel Jesus's crucifixion wounds.
Apr 1, 2015 · A commentary on Caravaggio's painting of the apostle Thomas's incredulity at the risen Christ's wounds. The article explains the historical and theological context of the scene, the artistic choices and the message of the artwork. It is available to Christian Century magazine subscribers only.
Feb 5, 2023 · A painting of the episode of Doubting Thomas, the Apostle who missed Jesus's appearance after His resurrection and said "Unless I see the nail marks in his hands and put my finger into his side, I will not believe it". The painting shows the corporeality of the risen Christ and the surprise of Thomas's face. The work is in chiaroscuro and oil on canvas, c. 1601–1602, by Caravaggio.
Oct 14, 2023 · The Incredulity of Saint Thomas was painted in the early years of Caravaggio's residence and success in Rome (1602) It is housed in the Sanssouci Picture Gallery, Potsdam, Germany. In this painting, Caravaggio depicts Thomas the Apostle's doubting of Jesus' resurrection as told in the Gospel of John, with Thomas looking at—and feeling—Jesus ...
