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  1. Carnatic music, known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana. It is one of two main subgenres of Indian classical music that evolved from ...

  2. A brief introduction to Carnatic music (with music examples and interactive map) Free “flow” exercises on this website; Glossary (PDF) Introduction (values in the light of modernity) Video | Keeping tala with hand gestures: Adi (8 beats) & Misra chapu (7 beats) Voice culture and singing; Why Carnatic Music Matters More Than Ever

  3. Sep 2, 2015 · 753K views 8 years ago. This audio jukebox presents some of the most renowned singers from Carnatic music. A rare collection that puts veteran vocalists Maharajapuram V Santhanam, M...

  4. May 10, 2021 · What is Carnatic music? The Carnatic tradition is often explained to outsiders in terms of how it differs from Hindustani music, its better-known Northern equivalent. But while the styles share deep stylistic roots, Carnatic music deserves a distinct mode of listening.

  5. Lyrics to thousands of carnatic songs, information about 1000s of ragas, composers, learning music for beginners and experts, jokes, Indian classical instruments, and simple and more advanced theory topics in South Indian classical music.

  6. Tanjavur-style Tambura. Carnatic music, also known as karṇāṭaka sangītam is one of the two styles of Indian classical music; the other is Hindustani music. The present form of Carnatic music is based on historical developments that can be traced to the fifteenth and sixteenth centuries C.E. Carnatic and Hindustani music shared a common ...

  7. Wiki. Music Styles. Indian Classical music. Carnatic Music Overview. Carnatic music is the main musical tradition of South India, the counterpart to Hindustani classical music of North India. Both share many principles and techniques but evolved under very different influences.

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